Wednesday, 1 September 1993

Review: Tony Magee Upfront cabaret show



Pianist Tony Magee


Music

Tony Magee Upfront

School of Arts Cafe

July 8-24, 1993


Reviewed by Stephen Rosenberg


Pianist Tony Magee has performed many times as an associate artist at the Cafe. This was the first time he has been upfront, supported by bass player John Stephenson and drummer Mark Sutton.


The subject of their first bracket was the piano in Hollywood. Music has always been used to heighten the emotional intensity of movie images and the medley of movie themes, including Alfie, Chariots of Fire, A Man and a Woman, and Fiddler on the Roof created a feeling of nostalgic warmth.


Australian movie music was represented by Jessica’s Theme from The Man from Snowy River. Liberace was remembered with the theme tune from Sincerely Yours, in which he played the part of a concert pianist who goes deaf.


On the dimly lit stage against a black backdrop, the musicians in their black dinner suits were visually indistinct. Their manner was more introspective than theatrical.


The music in the second bracket was all Latin American rhythms and the musicians gave a more lively performance. Stephenson played some fiery syncopated bass guitar and Sutton sometimes played the drum kit with his hands, getting interesting effects by using his left hand for muting.


The highlight was a cha cha version of ‘Tea for Two’ in which Magee set up a tea tray and poured cups of tea whilst playing the piano.


The third bracket featured famous piano players from Beethoven to Billy Joel. Every-one enjoyed the medley of songs put together from requests made by each table in the audience. The musicians handled the changes of tempo and rhythm very well.


Magee then played the Adagio movement of Beethoven’s ‘Moonlight Sonata’, which he said he had learnt entirely by ear. He played from memory throughout the evening. Generally his touch was very light, but he was able to use dynamic variation effectively and often decorated phrases with lovely improvised glissandos and arpeggios.


First published at Muse Magazine, September edition, 1993.





Wednesday, 21 July 1993

Nostalgic tribute to world’s outstanding pianists


Wednesday 21 July 1993


Tony Magee Upfront
School of Arts Cafe, Queanbeyan
Tonight plus July 22, 23, 24, 1993

by W. L. Hoffmann

CANBERRA pianist, Tony Magee, best known at the School of Arts Cafe for the fine accompaniments he has provided for many artists who have appeared there, moves up-front in his own show which highlights his talents as pianist-arranger and is currently running at the cafe.

He has devised a program which surveys a variety of popular piano styles, ranges through a half-century of light music and provides an evening of musical memories.

It is a presentation which is in three sections, with the first featuring the piano in Hollywood and paying tribute to some of the outstanding pianists of film and television.

There is Liberace in his 1955 song Sincerely Yours, and the brilliantly ubiquitous Oscar Levant in a Gershwin medley which introduces Rhapsody in  Blue, Embraceable You and The Man I Love. This section concludes with a selection of movie themes, winding up with one of the most enduring of them all, As Time Goes By from Casablanca, in which Tony displays a pleasant singing voice.

The second section is devoted to the piano in Latin-American music, with particular emphasis on the music of Antonio Carlos Jobim (but without his Girl From Ipanema which, however, turns up later in  the show).

There are examples of the bossa nova, rhumba, cha-cha and samba and such well know pieces as Green Eyes, Siboney and Ay-ay-ay.

These are all played with a fine swing and a strong delineation of their rhythmic diversity. An amusing diversion in this section is a performance of the old standard Tea for Two as a cha-cha, interlaced with alternate tea-pouring and piano playing.

Then to round out the Latin American mood, there is a sparkling rendition of the Jobim's One Note Samba.

Tony Magee introduces each of these sections with a commentary that is both informal and informative and throughout the program is excellently supported by the discreet drumming of percussionist Mark Sutton and the quiet but firm bass playing of John Stephenson.

The final section opens with two highly contrasting pieces, Scott Joplin’s bright rag The Entertainer, followed by an expressive and effective arrangement of the song Cast Your Fate to the Wind. Then follows a request section, but one with a difference.

The audience is invited to nominate favourite pieces, each table writing down a number of requests, from which the pianist and his associates ingeniously devise a medley introducing as many of these items as possible.

This makes a suitably nostalgic ending to a highly enjoyable evening of light music entertainment.

First published in The Canberra Times, July 21, 1993



Tuesday, 6 July 1993

Article: Warm reception for Canberra's Singing Waiters






by Norma Allen

CANBERRA’S Singing Waiters were given a very warm reception upon their appearance with Shirley MacLaine at Canberra’s Royal Theatre last week.

Before the concert, Singing Waiters member Craig Schneider, made the point that the rehearsals were necessary because “when working with Shirley MacLaine, you can’t just stand there and sing”.

The effort put into performance and appearance obviously paid off, given the audience response to their 30 minute set for which Tony Magee acted as internal master of ceremonies.


From The Canberra Times, July 6 1993



Saturday, 17 April 1993

Two Redheads and a Match - publicity photo April 1993


Publicity photo taken April 17, 1993 (at my house in Torrens). Photo: Robert Roach

Two Redheads and a Match was a cabaret show devised by and starring Judy Burnett, Kate Peters and myself.

The girls sang and performed, with myself on piano.

Two five week seasons at the School of Arts Cafe for the Stephens family, followed by a season at the Tilbury Hotel in Woolloomooloo and finishing with a season at the Glen Street Theatre, Frenchs Forest.

1993 was a busy year for me with many other cabaret shows being performed or in rehearsal.



Tony publicity photo 1993


Me, April 17, 1993! Photo: Robert Roach