Saturday 24 July 2021

Japanese composer and musician Keigo Oyamada quits Olympic opening ceremony role over past bullying


Kyoto News, Minato City, Tokyo

July 24, 2021


Japanese musician Keigo Oyamada resigned on Monday from the creative team for the opening ceremony of the Tokyo Olympics after admitting that he bullied children with disabilities many years ago, in the latest scandal rocking the already unpopular Games.


Photo © The Japan Times


The resignation of Oyamada, who was in charge of composing music, comes just before Friday’s opening ceremony after sparking an outcry on social media for his past actions, with his recent apology failing to ease the uproar online questioning the appropriateness of his role in the Tokyo Olympics and Paralympics.


Oyamada, 52, said on Twitter Monday that his acceptance of the request to be part of the team was something that “lacked consideration to various people,” and that he had “offered (his) resignation to the organizing committee.”


Games organizers said Oyamada’s part in the ceremony, a roughly four-minute composition to be played at the start, will not be used, with an alternative plan now being considered.


The organizing committee said in a statement that while recognizing Oyamada’s actions as “absolutely unacceptable,” they decided to have him stay in his post, taking into account his apology and the forthcoming Games. But they said “this decision was wrong” and decided to accept his resignation.


He will also no longer be involved in the opening ceremony of the Paralympics, set to start Aug. 24, Tokyo 2020 CEO Toshiro Muto said.


The well-known musician’s exit from the Games followed days of controversy over his confessions in magazines published in the 1990s in which he boasted about bullying people including his classmates in his childhood. After his appointment was announced last Wednesday, his confessions from decades ago surfaced and calls for him to step down intensified.


Oyamada admitted on Friday that interviews published in the January 1994 edition of magazine Rockin’On Japan and in the August 1995 edition of magazine Quick Japan had quoted him correctly when he spoke about bullying childhood classmates with disabilities “without any regrets.”


Only days before the start of the Olympics, which will be held mostly without spectators amid the coronavirus pandemic, users immediately took to Twitter to vent their anger and frustration over the turn of events.


“There is no way that a person who boasts about bullying classmates with disabilities after becoming an adult should be allowed” to play an active part in the Paralympics, one Twitter post said.


“The Tokyo Olympics is filled with so many problems that I cannot write all of them down. It is, in a sense, a legendary Olympics,” another user tweeted. Others criticized Games organizers for not learning at all from past scandals.


In his tweet last week, Oyamada said, “I sincerely feel that such acts and language must be criticized” and that he feels “deep regret and responsibility” for what he describes as his “extremely immature” actions.


He added he has felt guilty about it for a long time and that he hopes to contact the people he bullied to issue a personal apology.

Aoi Matamura, secretary general of a support group composed of people with mental disabilities and their parents, said the latest scandal should not just end with his resignation, urging Oyamada to “explain himself in his own words” and for the organizing committee to clarify its process in selecting him.


Top government spokesman Katsunobu Kato said that “bullying and abuse are acts that must not happen and are utterly intolerable, regardless of whether a person has a disability or not.”

Ahead of the Tokyo Paralympics set to start Aug. 24, Kato, the chief Cabinet secretary, said, “We would like to firmly deliver the spirit of ‘barrier-free’ toward realizing an inclusive society.”


Yoichiro Yamazaki, editor-in-chief of Rockin’On Japan, also apologized for running the interview with Oyamada, saying “It was the wrong thing to do from the point of view of morals and sincerity.”


“I offer a deep apology to all the victims and their families as well as to those who felt displeasure reading the story,” said Yamazaki, who interviewed Oyamada for the story in question.


Oyamada, a former member of Flipper’s Guitar along with Kenji Ozawa, went solo under the stage name Cornelius in 1993. He gained popularity among the young for the “Shibuya-kei” pop music sound in the 1990s.


The scandal is not the first to rock the Tokyo Games, which will finally start after a one-year postponement due to the coronavirus pandemic.


Former Prime Minister Yoshiro Mori stepped down in February as head of the Tokyo Olympics organizing committee after coming under fire at home and abroad for saying meetings with women tend to “drag on” because they talk too much.


The Summer Games’ creative director, Hiroshi Sasaki, also resigned in March after it was revealed he had privately suggested plus-sized celebrity Naomi Watanabe dress as a pig for the opening ceremony to play the role of an “Olympig.”


U.S. media also reported on the latest scandal, with broadcaster NBC, whose parent NBCUniversal Media LLC has the rights to broadcast the Tokyo Games, saying in its story on Sunday that on social media, “critics were far from forgiving” despite Oyamada’s apology.


It included in the story a tweet that read, “How can a person who committed such discriminatory and violent acts be considered qualified for getting involved in Olympic and Paralympic Games?”


First published at japantimes.co.jp, July 24 2021




Monday 19 July 2021

Munich renames orchestra academy after Hermann Levi

by Norman Lebrecht


Discreet lobbying by the outgoing music director Kirill Petrenko has prompted Bavarian State Opera to make belated amends to the man who conducted the first Parsial.


Hermann Levi


The statement says:


In memory of Hermann Levi, the Orchestra Academy of the Bavarian State Opera will be renamed the Hermann Levi Academy of the Bavarian State Orchestra during the memorial concert on July 23, under the musical direction of Kirill Petrenko . Because of his Jewish origins, recognition for Levi’s work has been downplayed and his memory neglected since the 1930s. With the renaming of the orchestra academy, this omission is to be remedied and the work of Hermann Levi is to be given due importance again.


First published on slippedsc.com, July 18, 2021




Artist-driven vaccination campaign urges audiences to play a part in pandemic recovery

Victorian audiences are being urged to give the ‘performance of a lifetime’ by getting vaccinated.

19 Jul 2021


by Richard Watts


Cabaret superstar Meow Meow is one of many artists appearing in the MSO-produced 'performance of a lifetime' campaign. Photo: Liam Hennebry


Addressing vaccine hesitancy and the urgent need to lift vaccination numbers nationally, a new public health campaign was launched today (19 July) urging audiences to get vaccinated against COVID-19.


The artist-driven campaign was conceived and delivered by the Melbourne Symphony Orchestra (MSO) and encourages audiences to play their part by getting vaccinated against COVID-19.





Recognising that emotional responses are an effective tool in advertising, the vaccination campaign taps into a sense of community spirit – as well as audiences’ love for the live performances they are missing during lockdown – by asking people to give the community their ‘performance of a lifetime’.


The content is based on health communication theories and models to address vaccine hesitancy in the community.


Artists such as Deborah Cheetham AO, Tim Minchin, Meow Meow, Rhonda Burchmore OAM, Virginia Gay, Tripod, and members of The Australian Ballet, the Melbourne Symphony Orchestra, Melbourne Theatre Company, Short Black Opera and many more are also participating in the social media campaign.


‘Whether we play in an orchestra, act within an ensemble or dance in the corps de ballet, it’s essential that we each perform to our highest standards in order to deliver the performance of a lifetime,’ said MSO Managing Director Sophie Galaise.


‘Along with our colleagues in the arts community, we are encouraging our audiences and the wider community to get vaccinated so we can all get back to doing what we love – whether that’s playing contact sports, enjoying a meal with our loved ones, or getting back on stage to entertain our treasured audiences.’


Written and directed by Emma Muir-Smith, the campaign is based on health advice which recognises that mass vaccination is essential to preventing further lockdowns and avoiding the need for social distancing and subsequent limited venue capacities.


It follows the recent release of two vaccination campaign ads created by the Federal Government which were widely criticised for being ‘weak and very lazy’ and ‘insensitive’ according to prominent members of the advertising industry.


Victoria’s Minister for Creative Industries, The Hon Danny Pearson MP applauded the MSO’s creative and community leadership.


‘Our arts community is doing everything they can to recover and reactivate and this campaign is a clever and creative way of encouraging audiences to play their role and get vaccinated. If you can get vaccinated, please book in or visit a Hub – the sooner we get vaccinated, the sooner we can get back to doing the things we love,’ he said.


The social media campaign, which will also be aired at select MSO performances, was filmed at St Vincent’s Hospital Royal Exhibition Building Vaccination Hub and Arts Centre Melbourne.


The video will include captions for priority languages recommended by the Department of Health – Arabic, Cantonese, Greek, Hindi, Italian, Mandarin, Punjabi and Vietnamese.


First published at artshub.com.au, July 19, 2021


Richard Watts is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on community radio station Three Triple R FM, and serves as the Chair of La Mama Theatre's volunteer Committee of Management. Richard is a life member of the Melbourne Queer Film Festival, and was awarded the status of Melbourne Fringe Festival Living Legend in 2017. In 2019 he was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize. Most recently, Richard was presented with a Lifetime Achievement Award by the Green Room Awards Association in June 2021.




Friday 16 July 2021

Australia calls off rest of Opera Season

Message from Opera Australia:


Due to the extension of the NSW Government’s stay-at-home restrictions and subsequent Health Orders, we’re sadly unable to proceed with the remainder of our winter season at the Sydney Opera House. This includes our productions of Aida, Attila and Otello.

Each production is being postponed to a future season, so audiences will have an opportunity to see these wonderful pieces on stage and enjoy the extraordinary work of our artists.

Affected customers will be contacted about their options, and we thank everybody for their ongoing support.

First published on slippedisc.com, July 16, 2021