Wednesday 28 April 2021

ACT Honour Walk 2020: Canberra arts icon Ross Gengos recalls passion for operating Abels Music.

Monday 26th April, 2021

by Tony Vue

It all started from a connection with one of the most prominent Australian conductors that led Ross Gengos to become a Canberra music icon, attracting the admiration of ordinary folks and the likes of David Attenborough.

During high school, Mr Gengos was taught by Alistair Mackerras, the brother of conductor Sir Charles Mackerras, in Sydney where he was introduced to classical music and instantly became hooked.

"Alistair booked tickets for a few of the boys in class to operas and so overnight, I went from listening to the top 40 to suddenly saving money to get classical records," Mr Gengos said.

Ross Gengos ran Abels Music in Canberra until its closure in 2011. He has now been recognised for his contribution to the musical life of Canberra. Picture: Keenan Carroll

"I have since been an avid collector."

Later in life, Mr Gengos moved to Canberra in 1972 to lecture in literature at the College of Advanced Education, now the University of Canberra, where he met his wife, Robin.

The pair in 1980 bought the renowned classical and jazz shop Abels Music in Manuka and ran it until its closure in 2011.

"I always felt that lecturing involved imparting my love of and passion for the subject. In many ways, Robin and I believed Abels served a similar function for music - my other and greatest passion," Mr Gengos said.

For all his effort in spreading his passion, including serving on various arts-related boards and committees, Mr Gengos was honoured on April 14 as one of six recipients of the 2020 ACT Honour Walk, which was put on hold due to the pandemic.

The awards go to individuals or groups that have made significant and sustained contributions to the ACT.

"It's very gratifying to be awarded this honour but especially to have the contribution that Abels Music made to Canberra," Mr Gengos said.

"I feel it's implicitly a recognition of the importance of music in enriching our lives and our community, as indeed do all the arts."

The 77-year-old said he still received feedback from people about how much the shop helped them.

"Even David Attenborough once told us he never visited Canberra without visiting us," he said.

As for highlights, Mr Gengos cited his membership on the inaugural ACT Cultural Council in 1992 and being able to help local musicians record original pieces.

"It's important that we encourage and help emerging musicians and artists of all kinds," he said.

"In recent times, I've been dismayed to see that on the federal level, there's been many financial cutbacks for major arts institutions.

"Sometimes the arts take a real back seat in policy, it's very unfortunate."

Looking back on Abels, Mr Gengos said he missed running the shop.

"I miss my customers. The shop was a source of considerable pride and satisfaction because I got to share my joy with others," he said.

"I must pay tribute to all our dedicated staff who played a large part in Abels' success.

"Finally, I thank the music lovers and musicians of Canberra. What we did would not have been possible without them."

Other 2020 ACT Honour Walk recipients are Klaus Moje, Ethel McGuire, Lyall Gillespie, Tracey Whetnall and the ACT Homosexual Law Reform Society.

Originally published in The Canberra Times, April 26, 2021


Thursday 15 April 2021

Historic Rönisch piano located at St. John of God hospital, North Richmond.

By Tony Magee 

St. JOHN of GOD hospital in North Richmond is a medical facility for the treatment of mental health disorders including anxiety, panic disorder, agoraphobia, depression and Post Traumatic Stress Disorder, as well as drug and alcohol withdrawal. 

Named Belmont House, it is an historic mansion, built in 1891 for the Charley family, using sandstone blocks, and boasts many grand rooms inside, featuring stunning woodwork and stained glass windows. 

Aerial view of Belmont House circa 1920's

Set on about 40 acres, the grounds are magnificent, including a golf course, and immaculately manicured by a dedicated team of garden maintenance staff. 

The facility is residential, containing 88 beds, as well as having an outpatient day-care program. Doctors and nurses are on duty 24/7 as well as psychiatrists and psychologists during daytime hours. 

One of the grand hallways in the facility. Photo: Tony Magee

One of the largest rooms is called "The Piano Room" and contains, amongst other antique furniture and objet d'art, a beautiful old Rönisch upright piano, finished in burr walnut. 

Serial number 17607 indicates a manufacturing date of 1889, made in Dresden, Germany. 

Rönisch upright piano No. 17607 in "The Piano Room". Photo: Tony Magee

The piano measures 140cm in height and has 85 keys. Very tall, allowing for long bass string length. The instrument was purchased new in 1891 and installed into the facility in 1893. 

It is a cross strung design, which is now the established method for the design of upright and grand piano frames. 

Entrance view in the Piano Room at St. John of God hospital, North Richmond.
Photo: Tony Magee

In my own collection, I have a Rönisch upright dating from 1877 which is straight strung. The piano at St. John of God hospital would have been one of the first cross-strung designs by Rönisch. 

JOHANN Carl Gottlieb Rönisch was born on November 28th, 1814 into a poor family in Goldberg, Silesia. 

At the age of 10, he began work as an apprentice in a machine shop and learned the trades of mechanic, joiner and turner. 

Between the ages of 16 and 20, he was an apprentice with piano maker Hänel in the City of Naumburg, Germany, not far from Leipzig. 

In late 1834, Carl Rönisch gained further experience and knowledge as a mechanic in a spinning machines factory in Goldberg and in Vienna, Austria. 

Then, in 1843, at the age of 29, Carl Rönisch returned to the piano industry and was employed as a maker of piano instruments in Löbau, Saxony. From there, he moved to Dresden, the capital of Saxony and became foreman in the "Rosenkranz" piano factory. 

Early in 1845, Carl Rönisch started building pianos in his own workshop, and thus the great Rönisch Piano was born. The company's philosophy: fine tone quality and rock solid, durable construction. 

Carl Rönisch produced his first baby grand piano in Saxony in 1857 and after having delivered three grand pianos to the court of the King of Saxony, he was named Official Purveyor to the Court in 1859. 

After two moves to larger workshops, a new factory was established in 1862. The company had meanwhile grown to 60 workers. The fame of the Rönisch brand had spread beyond the regional borders, and due to the growing demand new business contacts were established. 

The main markets at that time were Russia, Sweden, England, Spain and Portugal. 

In 1866, he had the epoch-making idea of using a full cast-iron plate in the piano. This frame had five struts and fully covered the pin-block, which allowed for the first time a high tension scale. This revolutionary invention was soon adopted by virtually every piano maker and remains in universal use today providing power, projection, sustain and sonority in the modern piano. 

The building of a larger factory was required by continuously growing demand for Rönisch pianos. In 1873, production started at the new factory in Dresden-Neustadt. 

Carl Rönisch was one of the first German manufacturers to export overseas. Rönisch instruments were held in high esteem in Southern Africa, California, Mexico, Australia, the East Indies, and in all of the English colonies. 

Rönisch won gold medals at the world exhibitions in Sydney in 1879 and Amsterdam in 1883. 

Rönisch was awarded first prize for its full size concert-grand piano at the world exhibition in Melbourne in 1888. 

This Rönisch Concert Grand with the serial number 8461 was acquired by the Australian National University in Canberra (ANU) in [insert year]. As part of Australia's musical history, it is the centerpiece of the Keyboard Institute's historic collection at the School of Music.

Rönisch concert grand No. 8461 at the ANU School of Music, Canberra.

Upon acquisition, the renowned Australian composer and pianist Larry Sitsky gave a recital on this instrument in Llewellyn Hall to critical acclaim, with works by Busoni, Beethoven and Rachmaninoff. 

CARL Rönisch died in 1894 at the age of 80. At the time, his factory was producing 1500 instruments per year and employed 250 people. The management of the company was taken over by his sons Albert as the business manager and Hermann as the production manager. 

Rönisch again won gold medals at the world exhibition in Chicago in 1893 and in Paris in 1900. In 1898, Albert and Hermann Rönisch established a factory in St. Petersburg Russia with an annual production of 1000 instruments. 

At the turn of the century, famous artists including Hans von Bülow, Richard Strauss, Edvard Grieg, Giacomo Puccini, Anton Rubinstein, Sergej Rachmaninoff and many others played Rönisch grands and uprights. 

From an original Rönisch catalogue, circa 1895

In 1901, the Rönisch Company was named Imperial Purveyor to the Emperor of Austria and Hungary. 

One year later in 1902, a cooperative agreement with Ludwig Hupfeld began. Rönisch supplied grand and upright pianos while Hupfeld installed a pneumatic mechanism, thus creating the first in a range of Rönisch Pianolas. 

A close relationship between Rönisch and Sergej Rachmaninoff continued as he spent three winters in Dresden with his family from 1906-1908. His Rönisch grand with the serial number 59183 is displayed today at the Rachmaninoff Museum in Iwanovka Russia, the former country estate of the family. Among other works, Sergej Rachmaninoff composed his 3rd Piano Concerto on this instrument in 1909. 

In 1910, the first delivery to Japan was made. The exports reached record levels with deliveries to the British Empire making up 45% of the total production. At that time, Rönisch produced 3000 instruments annually and employed 370 people. 

World War I was a tragic time for the Rönisch Company and family. Albert died in 1917, whilst Hermann lost his only son. The factory in St. Petersburg was lost due to the Russian Revolution. In 1918, Hermann Rönisch sold the company to the Ludwig Hupfeld AG company although he remained the manager of the Rönisch factory in Dresden. 

On 13th February 1945 the Rönisch factory in Dresden was destroyed during bombing raids and was not rebuilt. The original factory of Ludwig Hupfeld in a suburb of Leipzig, which survived the war almost unscathed, became the new home for Rönisch. 

On 5th June 1945, the company started again from scratch with 50 workers who had to produce containers for marmalade, pasteboard suitcases and handcarts, under the direction of the Allied Military Command. The dismantling of the factory started as part of the reparation payments to the Soviet Union. In 1946, the "Leipziger Pianofortefabrik" was established, although furniture was the main item of production. 

Finally in 1948, piano production was re-started with 13 instruments and the first Rönisch piano after the war was exhibited at the Leipzig Trade Fair along with living room furniture. In October 1949, the first export after the war was achieved with five pianos being sent to Mexico. 

In 1952, 10 grand pianos were produced. Two years later in 1954, the total production reached the level of 720 pianos per year but the main product line was still furniture for schools, living rooms, and bedrooms. Pencils and sports gear were also manufactured. 

It was not until 1960 that the company concentrated again on its core business of piano building, reaching an annual production of 2000 pianos. 

In 1964, production was streamlined, with the installation of an assembly line for 220 pianos leading to a volume of 4170 upright pianos and 144 grand pianos. Due to growing demand however, especially in export, a further increase of production capacities was required. 

In 1967, the "VEB Deutsche Piano-Union Leipzig" was established with the merging of two piano factories and the amalgamation of two companies which produced keyboards and actions. 

In 1978, the Rönisch factory (plant 1) reached a volume of 7810 pianos by concentrating on upright pianos and the production of grand pianos was moved to a new site (plant 5). 

In the mid 1980s the "VEB Deutsche Piano-Union Leipzig" achieved its greatest expansion and produced 21000 upright pianos, 1300 grand pianos as well as 350 harpsichords and some spinets. 3300 people were employed and the "VEB Deutsche Piano-Union Leipzig" with its 13 plants became the largest manufacturer of pianos in Europe. 

In 1986, the annual production of the Rönisch factory reached 8600 upright pianos which were produced by 240 workers. 90% of the production was exported worldwide. 

In 1990, with the German Reunification, the former state-owned combined "VEB Deutsche Piano-Union Leipzig" was dissolved. The Rönisch factory as the parent location and headquarters was re-named "Leipziger Pianofortefabrik GmbH" again, and had a slow and difficult time under the very different conditions of the free enterprise system, but it succeeded. 

After decades of mass-production, Rönisch turned back to its origins by emphasizing creativity and quality. In 1992, the reorganization of the production process and the re-designing of the product range were completed. An unparalleled marketing campaign secured stable market shares in both the domestic and international markets. 

In 1995 - the 150th anniversary of Rönisch - the production of grand pianos recommenced and by 1999, the product range had widened to 4 models of upright pianos and 2 models of grand pianos, being offered in 103 cabinet and colour variations. A second export drive re-opened markets in Australia, New Zealand and the USA. 

Rönisch was affected by the economic downturn during the global financial crisis in 2008. One year later, a merger with "Julius Blüthner Pianofortefabrik GmbH", the other quality piano manufacturer in Leipzig, took place. In October 2009, the "Carl Rönisch Pianofortemanufaktur GmbH" was established and moved to the Blüthner factory in Großpösna in nearby Leipzig. 

The production processes were re-organized, manufacturing facilities re-designed, and the organizational structure enhanced. 

Both Blüthner and Rönisch now produce quality German made pianos under the same roof. 

In 2010, Rönisch re-designed and upgraded the product range, comprising 3 models of upright pianos and 3 models of grand pianos, being offered in 118 cabinet style and colour variations. 

In 2012, Rönisch released the "Carl Rönisch Edition", modelled on the pianos that originally established the fame of Rönisch in the 19th century.