Baby You’re A Rich Man: McCartney becomes a billionaire

The bulk of Paul McCartney’s fortune comes his publishing company, Forbes estimates. AP PHOTO

London

Paul McCartney has joined the pantheon of billionaires as Forbes has ranked his net worth at approximately $US1.4 billion.

The 84-year-old Beatles legend is estimated to have become the third richest musician in the world, behind Taylor Swift and Jay-Z.

Jay-Z topped the rich list at $US2.8 billion, according to Forbes.

McCartney’s continued rise in wealth has been credited in part to his MPL Communications publishing company.

Established in 1969, before the Fab Four split, the company is said to be worth at least a quarter of a billion dollars.

Although McCartney has declined to comment on the estimates, it’s said he likely pulls in tens of millions of dollars every year in revenue.

He previously noted in a 2017 piece for Forbes that the Beatles’ original record deal “turned out to be a slave contract,” giving each member less than one cent for every album sold.

McCartney spent years in legal battles and negotiations to secure bigger shares of the Beatles’ catalogue for each member and their estates, along with his own songwriting copyrights.

As well as his classic songs and festive hits like It’s Beginning To Look A Lot Like Christmas, he also owns musical scores, meaning he gets royalties whenever high school productions of shows like Grease are performed.

Adding to the royalty cheques, McCartney’s net worth is further bolstered by his lucrative music catalogues, hundreds of millions in earnings from world tours, real estate in the UK, and an art collection including items by Pablo Picasso.

McCartney previously insisted he considers himself a “playaholic”, because he never thinks of his music career as work.

He told Zane Lowe in an interview for Apple Music: “People say, ‘Oh you’re a workaholic’ and I say, ‘We don’t work music, we play it, so I’m a playaholic!”

“I hate it when making music starts to feel like work.”

Published by Australian Associated Press, via Canberra City News, November 10, 2026

'Depicts humanity at its most grotesque': Why the 300-year-old novel Gulliver's Travels is so misunderstood

By Tamlin Magee

First published in 1726, Jonathan Swift's adventure novel has been chopped, changed and adapted ever since. Is it a "misanthropic satire" or a "fantastical nursery tale"?

You may be familiar with the story of Lemuel Gulliver. He wakes up after a shipwreck only to be pinned down by ropes and surrounded by tiny Lilliputians, who clamber up to the incapacitated adventurer.

It's a scene that's been replicated and satirised ever since Jonathan Swift's Gulliver's Travels was published in 1726, 300 years ago.

Yet fewer may know of Gulliver's darker exploits, where the voyaging anti-hero encounters scientists inserting bellows into dogs, or the society of enlightened-yet-murderous talking horses, the Houyhnhnms, who calmly debate eradicating the Yahoos, their brutish human-like cohabitants.

In the three centuries since Swift set out to "vex the world, rather than divert it", as he wrote, two Gullivers have competed for the public imagination: one, the excoriating, misanthropic satire that sends up the Crown, the Church and English politics, and the other, a fantastical nursery tale of an adventurer navigating worlds big and small.

“Swift intended Gulliver's Travels to be a series of topical and general satires on humankind, not a kind of adventure – Abigail Williams

Packed with toilet humour, the original Gulliver's Travels also takes aim at the legal system, colonialism and, ultimately, human nature. It darkly concludes with a Gulliver so disgusted by humans after meeting the rational Houyhnhnms that he spends his final days locked in a stable with a horse.

From its very first edition, Swift's tale has been chopped and changed, adapted and altered. Eventually, the story became larger than life, much like Gulliver in the land of Lilliput.

The image of Gulliver surrounded by tiny Lilliputians has been replicated ever since Jonathan Swift's novel was published
(Credit: Getty Images)

Gulliver's Travels was a late-career magnum opus for Swift, who'd been a formidable satirist and political
propagandist for the Conservatives in Westminster (Credit: Getty Images)

First published at BBC News, November 8, 2026

Read full article here.

Handel oratorio, never performed in U.S., comes first to San Francisco Bay Area

By James Ambroff_Tahan

Music Director Peter Whelan — seen leading the orchestra in Handel's “Alceste” at Bing Concert Hall in 2025 — this week leads the Philharmonia Baroque Orchestra & Chorale in the U.S. premiere of Handel’s “Alexander’s Feast” at Stanford’s Bing Concert Hall, San Francisco’s Herbst Theatre and Berkeley’s First Congregational Church.
Photo: Kristen Loken

As his opera career was unraveling, George Frideric Handel composed an oratorio in London in the mid-18th century, inspired by John Dryden’s poem “Alexander’s Feast.”

He traveled to Dublin shortly thereafter and created another version of the opus that premiered in 1742, though much of that score was lost to history. Until recently, there has been no Dublin version of “Alexander’s Feast” to perform due to its previously incomplete score, and the piece has never been seen in this country.

Acclaimed English tenor James Way performs the role of Timotheus in the
U.S. premiere of the Dublin version of “Alexander’s Feast.”
Photo: Raphael Neal

First published at the San Francisco Examiner, November 9, 2026

New $2 coin strikes a note of remembrance

The Royal Australian Mint is commemorating one of the nation’s most familiar military traditions
with a new coloured $2 coin honouring The Last Post.

By Helen Musa

The Royal Australian Mint is commemorating one of the nation’s most familiar military traditions with a new coloured $2 coin honouring The Last Post.

The 2026 design depicts a bugler playing before a war memorial at sundown, with radiating musical notes representing the sound of the bugle and musical rests symbolising the silence that follows. The coloured centre print features dusky orange and deep purple tones. The inscription The Last Post: Remembrance completes the design, with the ‘C’ mint mark appearing on select editions.

Royal Australian Mint CEO Emily Martin said the coin offered Australians a meaningful way to reflect on the service and sacrifice of those who had served the country.

The commemorative coin will be available in two collectible formats, a $2 C Mintmark Coloured Uncirculated Coin and a $2 C Mintmark Coloured Silver Proof Coin.

It will also enter general circulation through banks, giving Australians the chance to find the special design in their everyday change.

First published at Canberra City News, November 10, 2026

New $2 coin puts a croc in your pocket

A coloured $2 coin featuring a croc  is part of the Royal Australian Mint and Australia Post’s launch on Wednesday. Photo: Supplied

By Helen Musa

A coloured $2 coin featuring a croc is part of the Royal Australian Mint and Australia Post’s launch on Wednesday of a new collection celebrating Australia’s native animals and Indigenous languages, and it might just turn up in your loose change.

The 2026 Our Animals, Our Country five-coin set has been designed in collaboration with artist Ryhia Dank, nardurna, who grew up in Borroloola in the Northern Territory.

The five designs feature the red kangaroo (marraji), emu (jagurrugurru), saltwater crocodile (mardumbarrayi), brolga (darramanji) and long-necked turtle (gulamandarrina), with each animal’s name presented in Gudanji language.

Additional collector editions include proof coins featuring a goanna (jurrgubadi). Photo: Supplied

There is also a one-in-ten chance of finding a coloured saltwater crocodile coin in the circulating $2 coins, while additional collector editions include proof coins featuring a goanna (jurrgubadi).

Royal Australian Mint chief executive Emily Martin said finding a coloured coin in your change would be an unexpected surprise, while the collection offered families and collectors an opportunity to discover more about Australia’s wildlife and Indigenous languages.

The coin set goes on sale from November 4, at the Mint Shop in Deakin, through the Mint’s contact centre and at participating Australia Post outlets.

First published at Canberra City News, November 4, 2026

Ten iconic songs make Australian music history

Midnight Oil’s protest anthem Beds Are Burning is among the first 10 songs to be inducted into the National Songbook. AAP Image/Bianca De Marchi

By Helen Musa

Waltzing Matilda and Midnight Oil’s protest anthem Beds Are Burning are among the first 10 songs to be inducted into the National Songbook, a new initiative launched by APRA AMCOS and the National Film and Sound Archive.

Announced at a gala cocktail event at the NFSA in Canberra on Wednesday, the inaugural collection spans more than a century of Australian songwriting, from Banjo Paterson and Christina Macpherson’s traditional bush ballad Waltzing Matilda to The Presets 2007 dance anthem, My People.

To qualify for inclusion, songs must have been written or co-written by an Australian APRA member, have been released at least 10 years before consideration and demonstrate significant cultural impact in Australia.

The selection also includes Friday on My Mind, the 1966 international hit by George Young and Harry Vanda; Helen Reddy and Ray Burton’s feminist anthem I Am Woman (1971); and Beds Are Burning (1987), written by Midnight Oil members Jim Moginie, Peter Garrett and Rob Hirst.

Another landmark protest song, Treaty, written by Dr M Yunupingu and collaborators including Stuart Kellaway, Witiyana Marika, Peter Garrett and Paul Kelly, is also among the inductees.

The remaining selections reflect the breadth of Australian musical composition, including Ruby Hunter’s Down City Streets (1990), Neil Murray’s My Island Home (1987), made famous by the Warumpi Band and later recorded by Christine Anu, Peter Sculthorpe’s orchestral work Earth Cry (1990), and the score for the 1998 Australian film The Boys, composed by members of The Necks, Chris Abrahams, Tony Buck and Lloyd Swanton.

The inaugural collection will be preserved as a permanent digital archive, recognising songs and compositions that have made a lasting contribution to Australia’s cultural heritage.

APRA AMCOS chief executive Dean Ormston said the 10 songs could never tell the whole story of Australia, but together they offered an insight into the nation’s history, identity and values, while NFSA chief curator Meagan Loader said the collection reflected the remarkable breadth of Australian songwriting.

The launch also featured new interpretations of some of the selected works, including I Am Woman, performed by Deline Briscoe, music from The Boys by Emma Donovan.

The National Songbook can be viewed at nfsa.gov.au.

First published at Canberra City News, November 4, 2026

WWII digger's photos from old camera found in drawer decades later

By Leah MacLennan

Lloyd Evan Davies served as a signalman in the Australian forces in the Middle East in World War II. (Supplied: Peter Davies)

Lloyd Evan Davies was a well-known violinist, but according to his family, what was less known was his time serving in World War II.

He had four children, but according to his grandson Peter Davies, his war service was something "they knew not to ask" about.

Now, decades after his grandfather's death, Peter has been delving into his family history, and buried in a drawer at his aunt's house in Adelaide, he has found a treasure trove.

"They're sort of hidden in plain sight around all these other photographs," he said.

"Auntie Pat opened the drawer one day, and she knew that I was really interested in family history, and then she came across this."

In the drawer she found an old brown Kodak camera box, full of photos she had never looked at before.

The Davies family discovered a trove of images from World War II inside an old Kodak photo box. (Supplied: Peter Davies)

"I was blown away," Peter said. 

"To me, these are absolute gold because it really, it helps me finally solve a mystery that I've been trying to solve for the last two years about my grandfather's war service."

Lloyd Davies was a signalman who served in Egypt, Palestine, Syria, New Guinea and Borneo.

Peter had managed to trace his service through war records, but the photos put flesh on the bones of what he knew.

"Now, rather than just looking at a black and white war record that said he was in Beirut at its liberation, I can go, 'Oh my God, Lloyd snuck a sneaky photo of Beirut during its liberation in here,'" he said.

A lone cedar on the side of the road in Lebanon in 1941. (Supplied: Peter Davies)

Peter Davies shows his children photos taken by their great-grandfather Lloyd. (Supplied: Peter Davies)

First published at ABC News, November 3, 2026

Read full article here.