Monday, 29 October 2007

From a brush with death to back on stage!

REPRISE - from Heart Failure to Artistic Success
Teatro Vivaldi
ANU Arts Precinct
October 28, 2007

by Ian McLean

Stephen Pike. Photo: Nathaniel de Hoog
CARDIO-VASCULAR disease may seem an unusual subject for cabaret but the story of Stephen Pike’s encounter with the affliction made for a fascinating, inspirational and uplifting evening of entertainment at Canberra’s home off cabaret, Teatro Vivaldi.

Stephen is a much loved and respected figure in the entertainment industry with his contribution to theatre spanning performing, directing, writing and producing. A near death experience in 2005 inspired him to write “Reprise - from Heart Failure to Artistic Success” and it was a capacity audience of family, friends, colleagues and admirers who journeyed with him as he recounted his fears and shared his thoughts.

The evening commenced somewhat nervously and it was not until Stephen told a wonderfully funny Irish joke that the audience and cast fully settled and the show began to move along at a relaxed and suitably informal pace. Whilst medical stories were insightful and very scary, I felt additional information about the relativity between songs (A Slow Boat to China seemed somewhat random without an explanation for its inclusion) and stories was required.

Stephen is renowned for passion and emotion in his voice (a primary reason for the success of Les Misérables in 1994 and 1996) and this was most evident in his interpretation of Anthem from Chess and later in the night, the beautiful You Raise Me Up.

Stephen had gathered some of Canberra’s finest theatre talent to share his stage with each singing individually as well as providing backing harmonies.

With clarity and a deep sense of understanding, Adrian Flor sang Empty Chairs at Empty Tables, Tim dal Cortivo demonstrated his purity of sound with This is the Moment and a Stephen discovery, 13 year old Bill Bourchier, was commanding in stage presence with his Close Every Door from Joseph.

Dave Evans, who also directed, was at his character portrayal best with True Love Ways from Buddy and he and musical director Tony Magee concocted an amusing set of “heart” songs. Tony was somewhat of a highlight for me providing subtle and delicate piano accompaniment throughout the show as well as solid vocal support.

Stephen has come through his medical worries with a renewed determination to widely share the joy and happiness that music and theatre can bring. Like may others, I am most grateful that he has been granted the opportunity to do just that.


Monday, 6 August 2007

Album Review: CROWDED HOUSE - Time on Earth


Parlophone 00946-396 007-2-4
Review copy supplied by Abels Music, Canberra

Reviewed by Tony Magee

Hi readers. I’m back for just this one issue, covering for Tim Hansen whilst he is away in New York at the international composers forum, Bang on a Can, which by the way, he is having the time of his life at.
Well, the hottest thing around at the moment seems to be the new Crowded House album, Time on Earth; so naturally, I am compelled to review it for you! Let’s dive straight in and say that it is excellent, highly listenable, catchy, and playable over and over again.

There are no real “buts”, however I merely point out, and it’s obvious to all who listen anyway, that the innovative qualities that made them so special in the first place are not really present any more. By this I mean - it’s more of the same - and many people will be grateful for that. Ever present are the clear uncluttered arrangements, economy of instruments, but played to full potential, rich vocal lines, and sometimes unusual melodic progressions.

This is one of those very pleasing albums where there are no “dud” tracks. Everything is composed and performed to the highest quality and there is that usual evenness of sound and solidity of line and form to every track. However, I can’t help feeling the album really doesn’t start hitting its straps until near the end, with the last three tracks. In these, there seems to be something extra in the musical development, the thought behind the lyrics, the ambiance, which is a very excellent way in which to finish off a project like this. In fact it’s usually the opposite way round. There are so many albums where second-rate tracks are plonked in at the end just to fill it up. This album starts very well and finishes with the highest quality stuff last. What a great plan.

Stylistically, there are many bopping tracks that can be great for listening or dancing, groovin’ and toe tapping, oozing the body around every solid beat. Some of the other tracks, particularly the later ones are more reflective and deserving of even higher praise. My copy is the limited edition set, which is fantastic value at $29, because you get the 14 track album, plus a bonus DVD of film clips and photo gallery. Great packaging as well.

Tony’s rating:  4 stars

First published in Eat Drink Magazine and Our Hotel Magazine, August 2007


Tuesday, 1 May 2007

Sophia Loren arrives for The Italian Australian Film Festival, and to meet burns victim, heroic little Sophie Delezio




Italian screen actress Sophia Loren, 72, is greeted by fans after arriving at Sydney Airport. Loren is in Australia as a special guest of the Italian Australian Film Festival, 31 May 2007. 
Photo: Ben Rushton, courtesy Sydney Morning Herald.


By Jenna Price

Sydney correspondent


The Italian ambassador just would not believe her.


When Queenslander Gabriella Mattacchioni went for her regular visit to the Italian Embassy in Canberra last November, she told the ambassador some astonishing news.


Sophia Loren - the magnificent, the beautiful, the icon - would be the guest of honour at the inaugural Italian Australian Film Festival.


Ms Mattacchioni and business partner had sussed out Loren, invited her to the festival in early June - and Loren had said yes!


Even this week, the ambassador had trouble believing that Loren would arrive. But arrive she did, in Sydney yesterday to a small but passionate crowd. And Ms Mattacchioni still can’t believe it has happened.


Loren, who began her film career in 1951 and who won the 1962 best actress Oscar for La Ciociara (Two Women), opens the festival in Sydney tomorrow night but that’s not the only good work she plans to do.



Sophia Loren during 2007 Italian Australian Film Festival Opening Night - Red Carpet at Hoyts Cinema, Bent Street, Entertainment Quarter in Sydney, NSW, Australia. (Photo by Don Arnold/FilmMagic)


On Sunday night she will be guest of honour at the Serata Con Sophia, a dinner to raise money for the Day of Difference Foundation, which was set up by the family of Sophie Delezio for burns victims.


Sophie’s father, Ron Delezio, can’t believe his luck either.


Mr Delezio, 53, has fond memories of Loren in movies with all the other film greats: Cary Grant, Anthony Quinn, Clark Gable and Charlton Heston.


And he is quick to say all the right things about her, what an honourable wife (her husband Carlo point died earlier this year at 94), what an excellent role model.


“We are fussy but we looked at Sophia and what a beautiful role model she is and we knew she was right for us,” he said.


But the truth is, Mr Delezio is bowled over by her.


“I contacted Alan Jones [the Sydney broadcaster] to ask whether he would MC the function and said that if he accepted, I would fight him for the first dance,” he said.


“She is absolutely gorgeous, I don’t care that she is 72.”


“We are seeing her on Friday night, Saturday night and Sunday night.”


The entire Loren entourage is bubbling - and perhaps the most bubbly is event producer Julia Loaney, who left a quiet farm in Bungendore five years ago to retire to Queensland.


Ms Loaney, of Italian descent, decided to brush up her mother language and met Ms Mattacchioni who is responsible for Italian language teaching in Queensland.


Her Italian has improved immeasurable but Ms Mattacchioni was more interested in Ms Loaney’s event management skills, which have been in steady use since February.


Yesterday she headed out with the directors of the festival, to greet Loren in a Maserati especially hired for the occasion. “But I came back in the ute!,” she said.


First published in The Canberra Times, June 1 2007



Related article: Italian Film Festival, Canberra 2024