Tuesday, 22 December 2020

"One of the best" confesses jazz critic

"In2deep" Album Launch
Rachael McNally (vocals) and Mike Dooley (piano) and guests
at North Belconnen Uniting Church
December 19, 2020

Reviewed by Tony Magee

I’ll dive straight into the deep end by saying that this was one of the best jazz concert performances I’ve ever attended. And that’s covering a period of more than 40 years.

Singer Rachel McNally has a unique and superb voice. A curious combination of opera style at some times and jazz/rock at other times.

Canberra jazz duo In2deep

Her vocal phrasing is more aligned with jazz. She has the ability to reach low notes similar to Sarah Vaughan and a middle and upper register that reminded me in some ways of Doris Day.

In addition, McNally has a perfect sense of pitch and there was never a moment where one could say she was flat or sharp. Every note was perfect.

Pianist Michael Dooley, who wrote many of the songs in this concert, played with sensitivity and lyrical phasing, combined with a beautiful tone production.

Alas there was no program, but suffice to say that the entire concert was a masterclass in quality music making.

Another astonishing thing about this concert was the “and guests”, which in the publicity there was no clue has to who these would be.

Well, I have to say that the “guests” were of the highest calibre. Miroslav Bukovsky on trumpet and flugelhorn; Con Campbell, tenor sax; Richard Manderson, alto sax; Darren Ormsby, trombone; Camilo Gonzalez, guitar; Phil Dick, bass; Steve Richards, drums; Michael’s son Anthony Dooley on percussion and three members of the Canberra Symphony Orchestra playing strings: Tim Wickham, violin; Iska Sampson, viola and Alex Voorhoeve, cello.

Michael Dooley added a humorous ending to the list of musicians by introducing another of his sons, William Dooley, also playing violin. To quote Michael: “William wants to be in the Canberra Symphony Orchestra – but he’s a bit young for that at the moment. Patience boy – patience!”

Dooley’s original compositions are of an extremely high calibre and two that stood out for me were a rhumba based on spoonerisms entitled “Keep on Running” and “Blessed”, which he wrote off-the-cuff while playing a gig at the Hyatt Hotel in 2017.

Throughout the concert, both Miroslav Bukovsky and Con Campbell delivered superb improvised solos during many of the pieces. World-class playing at its finest and all right here in Canberra.

In closing, I would like to mention especially that all the arrangements, including for the four horns, were by Michael Dooley.

This concert was a huge success by both the choice of musicians and the quality of the compositions.

First published in Canberra City News Digital Edition, December 21, 2020


Friday, 4 December 2020

Eddie Van Halen's son criticises sale of his father's guitars


Eddie Van Halen's son Wolfgang has criticised a recent auction of three of his late father's guitars, which fetched $422,050 (£313,000).

Wolfgang Van Halen on stage with his father Eddie. Getty Images

Wolfgang said the sellers were "taking advantage of my father's passing", and he had "nothing to do with" the sale.

"I don't EVER plan on selling any of my father's iconic guitars," he said.

Julien's Auctions said two of the guitars were submitted for sale weeks before Eddie Van Halen, co-founder of rock band Van Halen, died in October.

The revered 65-year-old guitarist had been receiving treatment for throat cancer.

Wolfgang Van Halen added that one of the guitars sold had been a gift, adding: "It WASN'T for charity. They're just taking advantage of my father's passing. What a surprise."

He also suggested the only place they could "possibly belong in is a museum".


Eddie Van Halen is considered one of the greatest guitartists of all time. Getty Images

Julien's Auctions said the instruments in the sale were a custom-designed 2004 "stage-played" guitar, a "customised and played" guitar and a "music video guitar" that was used for the 1984 single Hot For Teacher.

The latter was a non-playing prop that was used by a child actor who played a young Eddie Van Halen, according to Rolling Stone magazine.

Darren Julien, president and chief executive of the auction house, said: "We, along with Eddie Van Halen's millions of fans, are mourning his family's and rock music's tremendous loss, and are honoured to keep his music legacy alive with the offerings of his memorabilia and instruments.

"We've auctioned many of Eddie Van Halen's iconic guitars in the past years and this year was no exception with these two guitars which were consigned to our Icons & Idols Trilogy: Rock and Roll sale weeks before we learned the sad news of his passing."
Van Halen were best known for their song Jump, which hit the top of the US charts in 1984. Their other hits included Why Can't This Be Love and When It's Love.

Wolfgang, who became Van Halen's bassist in 2006, paid tribute to his father when he died. "Every moment I've shared with him on and off stage was a gift," he wrote.

Kiss singer Gene Simmons remembered the musician as a "Guitar God", while Queen guitarist Brian May remembered how "those truly magical fingers opened a door to a new kind of playing".

First published on bbc.com December 4, 2020.




Monday, 30 November 2020

Madcap dressmaker, TV personality and cabaret artist


November 30, 2020


by Valerie Lawson

JEANNE LITTLE 1938-2020 

In an upstairs alcove in the Sydney suburb of Paddington, Jeanne Little established her own dressmaking shop where she designed dresses for wealthy women and retired showgirls. Soon after it opened, Jeanne became pregnant and decided to make her own maternity dresses because, she said, those voluminous maternity dresses of the 1970s were so boring. 

Instead of hiding the bump, Jeanne made maternity dresses that turned heads. One was a white dress embossed with big pink elephants marching across the stomach. Another was a green smock with a red and white target painted on the belly. 

The maternity dresses were just the start of her lifetime of wearing eccentric, hilarious and sometimes gorgeous clothes that looked like the work of a couturier. Her life as an entertainer began when Jeanne went to The Daily Mirror, where she delivered the regular columns written by her husband, Barry Little.
Jeanne Little in two different guises

When the photo was published the next day, the producer of The Mike Walsh Show thought it might be fun to have her on the show. She went on and then they asked her to come, back, not just once but twice a week. As a regular guest on the show from 1974 to 1985, Jeanne captured the audience with the wacky dresses she wore in the show and the way she spoke – extremely loud - especially when she shrieked “Ooooh aaah! Dahhhling!”, her catchphrase. 

When she sat next to Mike on the stage all eyes in the audience were fixed on Jeanne as she flopped her hands, raised her arms, danced like a showgirl and flirted with Mike. 

An Easter hat conversation was one of the best moments in the show. Wearing a hat made of sausages and mash and scattered with green peas, Jeanne asked Mike if the sausages were still warm. “I only cooked them this morning in case you felt like one. Everyone likes a sausage. Do you want one darling?” Mike’s reply: “No thanks, Jeanne, I don’t.” 

She shuffled behind a screen and returned wearing a spiky hat made of ice cones and designed like the Statue of Liberty. Jeanne: “Isn’t it wonderful? But don’t wear it in bed”. Mike: “No, I see a lot of reasons for not wearing it in bed.” 

Jeanne’s stage screen, often used when she showcased her numerous dresses, was out of sight to the audience, similar to the wings in theatres. Every exit to the screen meant more entrances and virtual curtain calls. She deserved them, not only as a comedian but also a dancer, actor and chanteuse. 

Two years after she joined the show, she won the Gold Logie for most popular television personality. 

Her daughter, Katie, said “she was only paid $25 a spot. Mum worked for peanuts. She had to be so resourceful looking everywhere, thinking 'what can I do with that?'. Any school projects I brought home, anywhere we went, whether we were in a hardware store, a supermarket, an art shop or anywhere at all, Mum would go 'oh, I could try to make that'.” 

She made jackets made out of tin foil and dresses covered with balloons, or pale pink prawn crackers and milk bottle caps. “I remember Dad and I had to sit squashing them flat while Mum was sitting there hand sewing the bottle caps on to the dress. It looked like a kind of mermaid with fish scales all over it. “I was a kid growing up, so for me that was heaven, continually living in this creative mess, so fabulous.” 

As well as the disposable dresses, Jeanne designed edible hats made of food including pizza, french fries, crumpets, bangers and mash, ice cream cones and frankfurters. 

Jeanne’s loud voice and eccentric creations were both linked to her youth. As a child, she was shy and stuttered so badly she could barely speak. As well, her mother, Katherine Mitchell, had a very thick Scottish accent. The combination of an Australian accent with a Scottish brogue and the stutter meant the only way to speak clearly was to stretch out her words. 

As for Jeanne’s clothes, dressmaking ran in the family. Katherine was a tailor in Scotland but when she and her husband emigrated to Australia her main occupation was sewing at home so she could support her family. 

Jeanne, the youngest of seven children, was happy to stay home alongside her mother as she worked at her sewing machine. After seeing a tiny sewing machine in a shop window, Jeanne hoped she could have one. She didn’t ask her mother to buy one but a miracle happened when she saw a tiny sewing machine under a Christmas tree. 

With her mother’s present, she learned how to make doll’s clothes with scraps of fabric. When she was older, Jeanne made party dresses inspired by fashion photos in women’s magazines. 

She found her future husband at a party. Barry Little, an interior designer and regular newspaper columnist was a perfect match for Jeanne. 

Their daughter, Katie Little, thought so, too. Barry was “handsome and confident with thick, jet black hair and moustache to match his olive complexion” and her mother was “tall, thin and gorgeously exotic”. 

They married in 1971 and moved to a small terrace in Paddington. Later, they moved over the road to a more glamorous terrace four storeys high. 

The highest level was Jeanne’s workshop and sanctuary. Garbage bags were piled at the top of the stairs and a whole wall was covered by wardrobes. 

At the time, Katie was a student at Kambala, a Church of England school in Rose Bay. Jeanne picked her up at school after she finished her work at The Mike Walsh Show. Most mothers don’t dress up when they pick up their children but Jeanne did. She often arrived at the school dressed in one of her crazy outfits. A mother wearing hotpants and a yellow wig was a bit embarrassing, especially when other students gathered together to see what she was wearing. 

Jeanne’s career didn’t end with the TV show. She moved to the stage when American director and songwriter Jerry Herman came to Australia to cast an Australian production of Jerry’s Girls, his Broadway production based on his songs, among them Hello Dolly and Mame. Herman asked Jeanne to audition and to her surprise, she got the main role. 

In the 1990s, Jeanne toured Australia with her one-woman cabaret shows Hello Dahling!, Marlene - A Tribute to Dietrich, a show she wrote with Barry, and A Tribute to Marilyn Monroe. 

From the late 1990s to the mid-2000s, Little was on the panel show Beauty and the Beast. At the time she was still making her own clothes but by then she wore glamorous dresses instead of zany outfits. 

Jeanne’s final years were heartbreaking. In 2009 she was diagnosed with Alzheimer’s disease and by 2014, family members said her illness had advanced to the stage that she "no longer knows where she is or what's going on around her". 

She lived in a Sydney nursing home for many years and died, aged 82, on November 7, 2020. She is survived by Katie and her husband, Timothy Poulton and their children, Tom, Charlotte and Hunter. Barry died in July last year. 

Valerie Lawson

First published in The Sydney Morning Herald, November 30, 2020


Wednesday, 18 November 2020

Critic moved to tears at concert's 'Sublime Beauty'

Spring Sojourn 
Canberra Symphony Orchestra Chamber Players 
At Wesley Uniting Church, Forrest ACT 
November 13, 2020 

Reviewed by Tony Magee


Kirsten Williams on violin (and leader). Photo: Martin Ollman

IN her opening address, member of the CSO board and chair of the Artistic Advisory Panel, Robyn Holmes, in welcoming the socially distanced, capacity audience, reminded us all that this was the first return to live performance from CSO since March.
 
“A sense of renewal” was how she exuberantly described this very special event and, indeed, that’s exactly the vibrancy, excitement and sense of expectation that swirled through the room as we waited for the moment when five of the finest string players in Canberra would grace the stage.

Capturing the sublime and distinctive harmonic structure of Ralph Vaughan Williams’ “Phantasy Quintet”, with splashes of his most famous “Tallis Fantasia” weaving through, plus moments from the first violin hinting at his equally famous “The Lark Ascending”, Kirsten Williams on violin (and leader), Doreen Cumming on violin, Tor Frømyhr on viola, Lucy Carrigy-Ryan also on viola and Patrick Suthers on cello, brought to life the gentle opening structure of the piece, beginning with a mournful and heartfelt solo viola opening played exquisitely by Frømyhr.

Within five minutes of this performance, I had tears streaming down my face as I savoured every moment of the sublime beauty of melody, harmony, balance and skill of the musicians.

The Scherzo movement revealed playing of conviction before dwindling into an eerie, delicate, romantic and extremely moving conclusion with a shimmering high note from Williams on first violin.

The “String Quintet No.2 in G, Op.111” by Johannes Brahms featured a magnificent grand opening of forte from all players.

Spring Sojourn. Photo: Tony Magee

Joyful, youthful music, seemingly at odds with Brahms’ grumpy state of mind in his old age.

This was lively and exuberant playing of a magnitude not often heard these days, either by composers or musicians. The chamber ensemble seemed to live every moment, every note, every nuance of the piece.

The slow movement revealed excellently played pizzicato and bowed bass foundation work from Suthers on cello.

Alas, there was one small intonation blemish along the way, before the players all strode masterfully into a complex form of harmonic structure with masses of counter-melody before dwindling into a gentle harmonic conclusion.

The final movement commenced with a flurry in the minor key, before returning to the joyfulness for which this piece is famous and from which the players all delivered the finale with great conviction, style and precision.

Deafening applause, shouts and screams of delight followed.

This was one of the finest chamber music recitals I’ve heard in a long time.

First published in Canberra City News Digital Edition, November 14, 2020




Monday, 16 November 2020

Shirley Bassey goes out with a bang as her final album 'I Owe It All To You' sets Official Chart record

13 November 2020


The chart icon sets a huge chart record with her final album.


By Rob Copsey


Dame Shirley Bassey goes out in style on this week's Official Albums Chart as her new - and final - album I Owe It All To You sets an Official UK Chart record. 


The music icon's new collection debuts at Number 5 on this week’s chart marking her 35th Top 40 entry and highest charting album in 42 years, since 1978’s 25th Anniversary Album.


The entry gives Shirley the record as the first female artist to claim a Top 40 album in seven consecutive decades.


Shirley scored her first Official Albums Chart entry in 1961 with Fabulous Shirley Bassey. Unbelievably, of her 35 Top 40 albums, none have reached Number 1, but eight have landed in the Top 10.


The news comes a week after fellow chart icon Cliff Richard set a record as the first artist ever to score a Top 5 album in eight consecutive decades.


I Owe It All To You contains a mix of new songs and cover versions "handpicked to reflect [Shirley's] incredible life and career".


"My new album is a celebration of 70 years in showbiz," the Dame said. "70 years of support from my fans and 70 years of music! I've trodden the boards of many stages and kicked up many a diamante heel! The songs I have chosen all feel very personal and connected to my life. I hope they will do the same for my fans."


The title track and trailer single Look But Don’t Touch are the album's original compositions, with the latter written by acclaimed songwriter Eliot Kennedy, whose credits include Spice Girls, Bryan Adams and Gary Barlow.


First published at Official Charts, November 13, 2020




Friday, 6 November 2020

Geoffrey Palmer, TV and film actor, dies at 93

Friday 6th November 2020


ACTOR Geoffrey Palmer, known for his roles in such sitcoms as Butterflies, As Time Goes By and The Fall and Rise of Reginald Perrin, has died aged 93.

He died peacefully at home, his agent said.

Judi Dench and Geoffrey Palmer publicity still for "As Time Goes By"

Versatile and prolific, he was known and loved for his hangdog expression, lugubrious delivery and the often testy demeanour he gave to his characters.

As Time Goes By saw him star with Dame Judi Dench, a partnership they revived in Bond film Tomorrow Never Dies.

He also acted in Mrs Brown, again with Dench, and The Madness of King George.

Dame Judi, who starred in nine series of As Time Goes By with Palmer, told BBC Radio 4's Front Row programme: "Geoffrey was master of comedy, an absolute master."

Paying tribute to his "wonderful deadpan expression", she added: "I've admired him all my life. How lucky to have been in something with him for so long."

His co-star in Butterflies from 1978 to 1983, Wendy Craig, told the programme: "He was just a delight to work with, his timing was perfect."

Despite his "rather serious face", she said he was "full of fun" in person.

"When he laughed and when he smiled his whole face lit up, his eyes twinkled. He was always up for a laugh and not a heavy-going serious person at all," she said.

His early television roles included appearances in The Army Game, The Saint and The Avengers and he went on to appear in Doctor Who and the Kipper and the Corpse episode of Fawlty Towers.

The Doctor Who programme listed the shows he had appeared in with a tribute on Twitter.

Broadcaster and author Gyles Brandreth said: "RIP Geoffrey Palmer - such a wonderful actor, such a lovely guy. Brilliant at his craft and just the best company: wickedly funny. He did everything he did so well. Thanks for all the happy memories Geoffrey: we'll cherish them as time goes by."

Comedian Marcus Brigstocke, who starred alongside Palmer in BBC One sitcom The Savages, remembered him as "the kindest, most brilliant man", while Shaun of the Dead director Edgar Wright said he was "brilliantly funny".

Comedian Eddie Izzard added: "Very sad to hear that Geoffrey Palmer has left us. I was very excited to meet him once and then had the honour to act with him in the film Lost Christmas. His work will stay with us and through that he can live on forever. Good work Sir. Rest in peace."

Actress Annette Badland said: "He was such a gifted actor and enormously good company. We worked together several times, laughed a lot and he was kind and generous. I am much saddened. Love to his family. Sleep well Mr Palmer."

Reece Shearsmith from The League of Gentlemen described him an "immaculate singular actor", singling out his performance in Butterflies.

Palmer appeared in four series of the Carla Lane sitcom, in which he played the stuffy husband of Wendy Craig's Ria.

Yet it was his partnership with Dench in As Time Goes By for which he will perhaps be best remembered.

The BBC sitcom, about two former lovers who meet unexpectedly and later marry, ran from 1992 to 2005.

In 2018 Dame Judi described her co-star as "the naughtiest man I ever had the pleasure to work with" as she gave him a prize at that year's Oldie Awards.

In Tomorrow Never Dies, released in 1997, Palmer's combative Admiral Roebuck sparred with Dame Judi's M, the head of the secret service.

Producers Michael G Wilson and Barbara Broccoli remembered the actor as "a much beloved star of TV and film and a treasured member of the Bond family".

'His face didn't change'

Palmer's distinctive voice made him a popular choice for narration, audiobooks and adverts.

He narrated the Grumpy Old Men series and introduced British viewers to "Vorsprung durch Technik" in adverts for Audi cars.

Actress Frances Barber remembered an occasion when he had queried a residuals payment he had received for the ubiquitous commercial.

"I just called my agent and said they've put too many 0's on the cheque," she recalled him saying. "After lunch he said 'Apparently they haven't'. His face didn't change."

In his later years Palmer was seen in Paddington, Parade's End and W.E, in which he was directed by pop star Madonna.

He was made an OBE in 2004 for services to drama.

Palmer, a keen fly fisherman, campaigned against the HS2 railway line, the proposed route of which ran close to his home in the Chilterns.

"Stop this vanity project and leave our countryside alone," he told then-PM David Cameron in a 2013 video filmed for the Daily Politics show.

"I am not grumpy," he once said of his distinctively jowly features. "I just look this way."

He is survived by his wife Sally Green, with whom he had a daughter and a son.

First published on bbc.com, November 6, 2020


Saturday, 31 October 2020

Obituary: Sean Connery, BBC News

Saturday 31st October, 2020

For many, Sean Connery was the definitive James Bond. Suave and cold-hearted, his 007 was every inch the Cold War dinosaur of the books.

He strode across screen, licensed to kill. He moved like a panther, hungry and in search of prey. There was no contest. His great rival, Roger Moore, by contrast, simply cocked an eyebrow, smiled and did a quip.


But whereas Ian Fleming's hero went to Eton, Connery's own background was noticeably short of fast cars, beautiful women and vodka Martinis - either shaken or stirred.


Sean Connery as James Bond in From Russia With Love, 1963.
Photo: United Artists/Sportsphoto Ltd/Allstar


Humble origins


Thomas Sean Connery was born in the Fountainbridge area of Edinburgh on 25 August 1930, the son of a Catholic factory worker and a Protestant domestic cleaner.

His father's family had emigrated from Ireland in the 19th Century; his mother traced her line back to Gaelic speakers from the Isle of Skye.


The area had been in decline for years. Young Tommy Connery was brought up in one room of a tenement with a shared toilet and no hot water.


He left school at 13 with no qualifications and delivered milk, polished coffins and laid bricks, before joining the Royal Navy. Three years later, he was invalided out of the service with stomach ulcers. His arms by now had tattoos which proclaimed his passions: "Scotland forever" and "Mum & Dad".


In Edinburgh, he gained a reputation as "hard man" when six gang members tried to steal from his coat. When he stopped them, he was followed. Connery launched a one-man assault which the future Bond won hands down.


He scraped a living any way he could. He drove trucks, worked as a lifeguard and posed as a model at the Edinburgh College of Art. He spent his spare time bodybuilding.

The artist Richard Demarco, who as a student often painted Connery, described him as "too beautiful for words, a virtual Adonis".


A keen footballer, Connery was good enough to attract the attention of Matt Busby, who offered him a £25-a-week contract at Manchester United.


But, bitten by the acting bug when odd-jobbing at a local theatre, he decided a footballer's career was potentially too short and opted to pursue his luck on the stage. It was, he later said, "one of my more intelligent moves".


In 1953, he was in London competing in the Mr Universe competition. He heard that there were parts going in the chorus of a production of the musical South Pacific. By the following year, he was playing the role of Lieutenant Buzz Adams, made famous on Broadway by Larry Hagman.


American actor Robert Henderson encouraged Connery to educate himself. Henderson lent him works by Ibsen, Shakespeare and Bernard Shaw, and persuaded Connery to take elocution lessons.


Connery made the first of many appearances as a film extra in the 1954 movie Lilacs in the Spring. There were minor roles on television too, including a gangster in an episode of the BBC police drama Dixon of Dock Green.



The ladies will like him....


In 1957, he got his first leading role in Blood Money, a BBC reworking of Requiem for a Heavyweight, in which he portrayed a boxer whose career is in decline.


It had been made famous in America by Hollywood legend Jack Palance. When Palance refused to travel to London, the director's wife suggested Sean.


"The ladies will like him," she said.


A year later, he was alongside Lana Turner - proper Tinsel Town royalty - in the film Another Time, Another Place. Her boyfriend, the mobster Johnny Stompanato, reacted badly to rumours of a romance.


He stormed on set and pulled out a gun. Connery grabbed it from his hand and overpowered him, before others stepped in and kicked him off set.



The name's Bond...


And then came Bond. Producers Cubby Broccoli and Harry Saltzman had acquired the rights to film Ian Fleming's novels and were looking for an actor to portray 007.


Richard Burton, Cary Grant and Rex Harrison were all considered, even Lord Lucan and the BBC's Peter Snow.


It was Broccoli's wife, Dana, who persuaded her husband that Connery had the magnetism and sexual chemistry for the part.


That view was not originally shared by Bond's creator, Ian Fleming. "I'm looking for Commander Bond and not an overgrown stuntman," he insisted.

But Broccoli was right, and Fleming was wrong. The author quickly changed his mind when he saw him on screen. He even wrote a half-Scottish history for the character in some of his later works.


A director friend, Terence Young, took Connery under his wing, taking him to expensive restaurants and casinos; teaching him how to carry himself, so the slightly gauche Scot would pass as a suave and sophisticated secret agent.


Connery made the character his own, blending ruthlessness with sardonic wit. Many critics didn't like it and some of the reviews were scathing. But the public did not agree.


The action scenes, sex and exotic locations were a winning formula. The first film, Dr No, made a pile of money at the box office. Even abroad it was hugely successful; with President Kennedy requesting a private screening at the White House.


More outings swiftly followed - From Russia with Love (1963), Goldfinger (1964), Thunderball (1965) and You Only Live Twice (1967).


It was exhausting and occasionally dangerous. At one point, he was thrown into a pool full of sharks with only a flexi-glass screen for protection. When one of the creatures got through, Connery beat the hastiest of retreats.


There was other work, including Alfred Hitchcock's Marnie, and The Hill, a drama about a wartime British Army prison in North Africa.


But by the time You Only Live Twice was completed, Connery was tiring of Bond and feared being typecast.


He turned down On Her Majesty's Secret Service, with the role given to Australian actor George Lazenby, whose career never recovered.


Saltzman and Broccoli lured Connery back for Diamonds Are Forever in 1971, meeting the actor's demand for a then record $1.25m fee. Connery used it to set up the Scottish International Education Trust, supporting the careers of up-and-coming Scottish artists.


The film had mixed reviews, with some critics complaining the film relied too much on camp humour, a theme that would continue and develop under his successor, Roger Moore.


Connery starred in the Rudyard Kipling tale The Man Who Would Be King alongside his great friend Michael Caine, but most of the next decade was spent in supporting roles, such as in Time Bandits, or as part of an ensemble cast in films like A Bridge Too Far.



Never Say Never


Having lost a lot of money in a Spanish land deal, he accepted a lucrative offer to play Bond again, in Never Say Never Again. This time 007 was an ageing hero; older, wiser and self-deprecating but ultimately still as hard as nails.


The title was suggested by Connery's wife, who reminded her husband he had vowed "never to play Bond again".


He continued to play other parts, winning a Bafta for his performance as William of Baskerville in Umberto Eco's The Name of the Rose.


A year later, his performance as a world-weary Irish beat cop, albeit with a definite Scottish accent, in The Untouchables, won him an Oscar for best supporting actor.


In Indiana Jones and the Last Crusade, he played Harrison Ford's father, despite being only 12 years older. And there was a knowing nod towards James Bond alongside Nicolas Cage in The Rock, where he was a British secret agent kept imprisoned for decades.


There was box office success for The Hunt for Red October, The Russia House and Entrapment; although First Knight and The League of Extraordinary Gentlemen failed to take off.


And he turned down the role of Gandalf in The Lord of the Rings in 2006, declaring himself tired of acting and sick of the "idiots now making films in Hollywood".



Exile


He was briefly considered for the role of the gamekeeper in the 2012 Bond film Skyfall, but the director, Sam Mendes, wisely felt it would be distracting to have a previous 007 appear with Daniel Craig.


Always hating the Hollywood lifestyle, he preferred to play golf at his homes in Spain, Portugal and the Caribbean with his second wife, Micheline Roqubrune, an artist he had met in Morocco.


His previous marriage, to the Australian actress Diane Cilento, had ended in 1975 amid allegations he had been violent towards her and had a string of affairs. They had one son, the actor Jason Connery.


Despite his exile, he retained a full throated passion for Scotland, despite once misguidedly endorsing a Japanese blend of whisky.


Sean Connery. Photo: AP Images.

He attributed his short fuse and his "moodiness" to his Celtic genes. "My view is that to get anywhere in life you have to be anti-social,'' he once said. "Otherwise you'll end up being devoured."


A long overdue knighthood, finally awarded in 2000, was reportedly held up by the Labour government because of his support for Scottish independence.


In truth, his Bond is now a museum piece; the portrayal of women impossibly dated. The action scenes are still thrilling, but the sex too often bordered on the non-consensual.


Thankfully, it's been a while since 007 slapped a woman on the backside and forced a kiss. But Connery's performance was of its time, enjoyed by millions of both sexes and gave the silver screen a 20th Century icon.


He leaves behind him a body of work that any actor would be proud of and, not least, a vacancy for the title "Greatest Living Scot".


First published at bcc.com, October 31st 2020




Sean Connery: James Bond actor dies aged 90


October 31st, 2020

Sir Sean Connery has died at the age of 90, his family has said.

The Scottish actor was best known for his portrayal of James Bond, being the first to bring the role to the big screen and appearing in seven of the spy thrillers.


Sir Sean died peacefully in his sleep in the Bahamas, having been "unwell for some time", his son said.


His acting career spanned seven decades and he won an Oscar in 1988 for his role in The Untouchables.


Sir Sean's other films included The Hunt for Red October, Highlander, Indiana Jones and the Last Crusade and The Rock.


Jason Connery said his father "had many of his family, who could be in the Bahamas, around him" when he died overnight in Nassau. Much of the Bond film Thunderball had been filmed there.


He said: "We are all working at understanding this huge event as it only happened so recently, even though my dad has been unwell for some time.

"A sad day for all who knew and loved my dad and a sad loss for all people around the world who enjoyed the wonderful gift he had as an actor."


His publicist Nancy Seltzer said: "There will be a private ceremony followed by a memorial yet to be planned once the virus has ended."


He leaves his wife Micheline and sons Jason and Stephane.



Daniel Craig said Sir Sean defined an era. Photo copyright: Reuters



Daniel Craig, the current James Bond, said Sir Sean was "one of the true greats of cinema".


"Sir Sean Connery will be remembered as Bond and so much more," he said.


"He defined an era and a style. The wit and charm he portrayed on screen could be measured in megawatts; he helped create the modern blockbuster.

"He will continue to influence actors and film-makers alike for years to come. My thoughts are with his family and loved ones."


In reference to Sir Sean's love of golf, he added: "Wherever he is, I hope there is a golf course."


Dame Shirley Bassey, who sang the themes to three Bond films including Goldfinger, paid tribute saying: "I'm incredibly saddened to hear of Sean's passing.


"My thoughts are with his family. He was a wonderful person, a true gentleman and we will be forever connected by Bond."




His Oscar win came in 1988. Photo copyright: Reuters



Sir Sean, from Fountainbridge in Edinburgh, had his first major film appearance in 1957 British gangster film No Road Back.


He first played James Bond in Dr No in 1962 and went on to appear in five other official films - and the unofficial Never Say Never Again in 1983.


He was largely regarded as being the best actor to have played 007 in the long-running franchise, often being named as such in polls.



A 20th Century movie icon



Photo copyright: PA Media



Connery made the character of James Bond his own, blending ruthlessness with sardonic wit. Many critics didn't like it and some of the reviews were scathing. But the public did not agree.


The action scenes, sex and exotic locations were a winning formula.

In truth, his Bond is now a museum piece; the portrayal of women impossibly dated. The action scenes are still thrilling, but the sex too often bordered on the non-consensual.


Thankfully, its been a while since 007 slapped a woman on the backside and forced a kiss. But Connery's performance was of its time, enjoyed by millions of both sexes and gave the silver screen a 20th Century icon.


He was knighted by the Queen at Holyrood Palace in 2000. In August, he celebrated his 90th birthday.


Bond producers Michael G Wilson and Barbara Broccoli said they were "devastated by the news" of his death.


They said: "He was and shall always be remembered as the original James Bond whose indelible entrance into cinema history began when he announced those unforgettable words 'the name's Bond... James Bond'.


"He revolutionised the world with his gritty and witty portrayal of the sexy and charismatic secret agent. He is undoubtedly largely responsible for the success of the film series and we shall be forever grateful to him."


Star Wars director George Lucas, who also created the Indiana Jones character, said Sir Sean "left an indelible mark in cinematic history".


"He will always hold a special place in my heart as Indy's dad. With an air of intelligent authority and sly sense of comedic mischief, only someone like Sean Connery could render Indiana Jones immediately into boyish regret or relief through a stern fatherly chiding or rejoiceful hug.


"I'm thankful for having had the good fortune to have known and worked with him. My thoughts are with his family."



Just the seven as 007 - Connery's Bond movies

  • Dr No (1962)
  • From Russia with Love (1963)
  • Goldfinger (1964)
  • Thunderball (1965)
  • You Only Live Twice (1967)
  • Diamonds are Forever (1971)
  • Never Say Never Again (1983)


Sir Sean was a long-time supporter of Scottish independence, saying in interviews in the run-up to the 2014 referendum that he might return from his Bahamas home to live in Scotland if it voted to break away from the rest of the UK.


Scotland's First Minister Nicola Sturgeon said: "I was heartbroken to learn this morning of the passing of Sir Sean Connery. Our nation today mourns one of her best loved sons.


"Sean was born into a working class Edinburgh family and through talent and sheer hard work, became an international film icon and one of the world's most accomplished actors. Sean will be remembered best as James Bond - the classic 007 - but his roles were many and varied.


"He was a global legend but, first and foremost, a patriotic and proud Scot - his towering presence at the opening of the Scottish Parliament in 1999 showed his love for the country of his birth. Sean was a lifelong advocate of an independent Scotland and those of us who share that belief owe him a great debt of gratitude."



The actor and his wife Micheline Roquebrune attended the opening of the first 

Scottish Parliament in 1999. Photo copyright: EPA



Alex Salmond, former first minister of Scotland, who was close friends with Sir Sean, described him as "the world's greatest Scot, the last of the real Hollywood stars, the definitive Bond".


He said: "Sean Connery was all of these things but much more. He was also a staunch patriot, a deep thinker and outstanding human being."

He added: "'Scotland Forever' wasn't just tattooed on his forearm but was imprinted on his soul."


First published on bbc.com, October 31st 2020