Monday, 30 June 2025

Argentinian Composer Lalo Schifrin has Died, Aged 93



Lalo Schifrin performs in Paris in 2008. When music was added to film, he described ‘a magic alchemy’
that took place for him 
© Paul CHARBIT/Gamma-Rapho via Getty Images

Lalo Schifrin, the composer of more than 100 arrangements for film and television, including Mission Impossible, has passed away following complications from pneumonia, his sons William and Ryan confirmed. 

Throughout a career spanning more than 60 years, Schifrin was known for his unique percussive and jazz style, leading him to receive six Oscar nominations, including for the scores to Cool Hand Luke, The Fox, Voyage of the Damned, The Amityville Horror, and The Sting II.


Born into a musical family in Buenos Aires, Schifrin first studied classical piano before moving to Paris in his early 20s to play jazz. He was soon sharing the stage with artists such as Dizzy Gillespie, Ella Fitzgerald, and Count Basie.


He began writing for Hollywood after moving to the US as Gillespie’s arranger. For the 1966 Mission: Impossible TV series, he wrote a theme in a 5/4 time signature that, in his words, was intended to inject “a little humor, lightness” to form a theme “that didn’t take itself too seriously.”


His work on the series saw him win four GRAMMYs — three of which were for the MI theme, which even hit No. 41 on the Billboard Hot 100 in 1968. He later updated the tune for the blockbuster film franchise. 


“The producer called me and told me, ‘You’re going to have to write something exciting, almost like a logo, something that will be a signature, and it’s going to start with a fuse’,” Schifrin said in a 2006 interview. “So I did it and there was nothing on the screen. And maybe the fact that I was so free and I had no images to catch, maybe that’s why this thing has become so successful — because I wrote something that came from inside me.”’


Schifrin’s conducting credits included the London Symphony Orchestra, Vienna Symphony Orchestra, Israel Philharmonic, Mexico Philharmonic, Houston Symphony Orchestra, Los Angeles Chamber Orchestra, and the Atlanta Symphony Orchestra. From 1989 to 1995, he also served as music director of Southern California’s Glendale Symphony Orchestra. 


Upon receiving an honorary lifetime achievement Oscar in 2018, Schifrin shared that composing for film had given him “a lifetime of joy and creativity” and the award was “a culmination of a dream” … a Mission: Accomplished.” 


“The countdown begins. The fuse lights. The music hits and suddenly, you’re in it. That was the genius of Lalo Schifrin,” The Academy of Motion Picture Arts and Sciences wrote on X. “Schifrin didn’t just write music, he built tension, ignited adrenaline, and gave stories their pulse. We’ll forever remember the composer who turned every beat into a thrill, and every silence into suspense.”


Mr. Schifrin is survived by his wife, daughter, and two sons. Our condolences to his family, friends, and colleagues.


First published at The Violin Channel, June 27, 2025





Sunday, 29 June 2025

Krupinski dazzles capacity audience at Wesley


By Tony Magee

Polish pianist Lucas Krupinski masterfully delivered a superb program of Chopin, Scriabin and Brahms at the Wesley Music Centre. Showcasing a dazzling technique, the pianist also played the entire program from memory.

The packed house included His Excellency Michel Goffin, Ambassador of Belgium.

Opening with the Polonaise in C-sharp minor, Op. 26 No. 1 by Chopin, the young Krupinski commenced with a grandiose flourish of chords which melded into beautiful melodic phrases of rubato, played with great feeling and passion with superb tone production.

The piece then featured a thick chordal structure played in double forte, contrasted with softer melodic passages. Left hand melody was brought out beautifully later in the piece.

Lucas Krupinski has been a featured soloist all around the world including Carnegie Hall New York, the Royal Albert Hall London and Wigmore Hall London, as well as numerous European venues including his native Poland.

He is the winner of many major piano competitions including all prizes at the 7th San Marino International Piano Competition, the Chopin Geselschaft in Hannover, Aachen, Goerlitz, and the Yamaha Music Foundation of Europe.

His debut album Espressione was nominated for the International Classical Music Awards in 2018, alongside albums by Kristian Zimmerman and Evgeny Kissen.

He has been honoured with a commemorative medal from the Frederick Chopin University of Music in recognition of his artistic achievements.

Since 2023 he has been a member of the Penderecki Trio.

Continuing with the Nocturne in F Major, Op. 15 No. 1 by Chopin, Krupinski delivered beautiful, sensitive and lyrical phrasing in the opening passages. The middle section was of almost Lisztian proportions including dramatic cascading bass runs, played by Krupinski in the bravura style. This was exciting and expressive playing, full of flair, spirit and panache before dwindling into a delicate pianissimo finale.

Chopin’s Scherzo in B-flat minor, Op. 31 followed. This is a more substantial work with a bold entry followed by glittering, cascading treble runs. Krupinski handled all this superbly. Later in the work he savoured the opportunity to enrapture the audience with beautiful, thoughtful and reflective playing.

Scriabin composed his Fantasie in B minor, Op. 28 in 1900. Astonishingly, Scriabin had no recollection of even composing the piece when he heard it performed at a musical soirée the following year.

A dramatic and complex work, Krupinski delivered it with authority and command, beginning with a somewhat ambiguous, open harmony with a descending bassline and a melody which alternately moved upwards and then plunged dramatically down in jagged gestures.

This brooding opening gave way to one of Scriabin's most beautiful melodies with Krupibski capturing the cantabile style of writing beautifully.

After a short break, Krupinski returned to the stage to play the massive 35 minute Piano Sonata in F minor by Brahms.

Composed in 1853, when the composer was just over 20 years old, the work is dedicated to Countess Ida von Hohenthal of Leipzig.

In five sections covering the full range of dynamics and the full keyboard, the opening motifs were bold, followed by majestic high octave cadence points.

The second movement was gentle and reflective, with Krupinski bringing forth lyrical and cantabile phrases.

The opening section of the bouncy third movement was played with flair and conviction. In triple time, the piece is later contrasted with phrases of an almost comic and cheeky nature.

Krupinski captured the gentle question and answer motifs which characterise the opening of the fourth movement, before revealing the fifth and final movement in rondo form in the home key of F minor. The pianist explored the many musical ideas that become intertwined in this virtuosic and triumphant section, once again showcasing his penchant for bravura playing, something he does so well.

Deafening and sustained applause followed, the audience enticing Krupinski back for an encore, Chopin’s Waltz in C sharp minor.

Throughout the concert, the audience was treated to seventy minutes of world class playing from this wonderfully talented pianist. It is a credit to the Wesley Music Centre that they are able to engage artists of this calibre.


Wednesday, 25 June 2025

Bobby Sherman, Heartthrob Singer and TV Actor of the 1970s, Dies at 81



By Chris Willman

Courtesy Everett Collection

Bobby Sherman, a singer and actor who became a quintessential shaggy-haired teen idol of the late 1960s and early ’70s, died Tuesday at age 81.

His wife, Brigette Poublon Sherman, had announced three months ago that the entertainer had been diagnosed with stage 4 cancer.

In posting the news of his death to Instagram Tuesday morning, Poublon Sherman wrote, “It is with the heaviest heart that I share the passing of my beloved husband, Bobby Sherman. Bobby left this world holding my hand — just as he held up our life with love, courage, and unwavering grace through all 29 beautiful years of marriage. I was his Cinderella, and he was my prince charming. Even in his final days, he stayed strong for me. That’s who Bobby was—brave, gentle, and full of light.”

She continued, “As he rested, I read him fan letters from all over the world — words of love and gratitude that lifted his spirits and reminded him of how deeply he was cherished. He soaked up every word with that familiar sparkle in his eye. And yes, he still found time to crack well-timed jokes — Bobby had a wonderful, wicked sense of humor. It never left him. He could light up a room with a look, a quip, or one of his classic one-liners.”


Sherman’s wife pointed to how he had reinvented himself in his post-idol decades, finding new roles far from the screen or concert stage: “He was a man of service. He traded sold-out concerts and magazine covers for the back of an ambulance, becoming an EMT and a trainer with the LAPD. He saved lives. He showed us what real heroism looks like — quiet, selfless, and deeply human.”


His friend John Stamos confirmed the news, reposting Brigitte’s message and adding, “From one ex-teen idol to another — rest in peace Bobby Sherman.” 


The news had been anticipated ever since his wife revealed to fans in social media posts in late March and early April that the entertainer had been diagnosed with Stage 4 cancer, explaining why he would no longer be able to make personal appearances. “Thank you so much for still remembering him,” she wrote then on her Facebook page. “We really appreciate it.”

She had elaborated on his condition in an interview with Fox News Digital published April 2, saying that Sherman was “at home with special care” at that time after the previous night being in the hospital and telling her, “Brig, I just want to go home.” Poublon Sherman added that he was suffering from kidney cancer that had “spread everywhere… He was doing crossword puzzles with me in the last few days. And then all of a sudden Saturday, he turned around and… he’s just sleeping more and his body’s not working anymore. Everything’s shutting down.”

Sherman came to fame as a regular for two seasons on the ABC series “Here Come the Brides” in 1968-1970 and quickly parlayed that into an even bigger career as a singing star. Sherman was especially beloved by adolescent and pre-teen girls for his hit singles and television appearances, coming to be literally the poster boy for the power of bubblegum music for a few years. With his suitable-for-wall-pasting photo spreads in magazines like Tiger Beat and 16, Sherman was rivaled only by Donny Osmond and David Cassidy in his power to mesmerize with a soothing voice and cuddly good looks.

At his peak, in 1969-70, he had four singles reach the top 10 of the Billboard Hot 100 and achieve gold-selling status: “Little Woman” (No. 3), “La La La (If I Had You)” (No. 9), “Easy Come, Easy Go” (No. 9) and perhaps his best-known song, or the one most likely to be spontaneously belted out by fans of a certain age, “Julie, Do Ya Love Me” (No. 5).

Other hits that didn’t reach quite that high but still impacted the Hot 100 or adult contemporary charts included “Hey, Mister Sun,” “Cried Like a Baby,” “The Drum” and “Jennifer.” He also had three albums achieve gold status.


Sherman got his first break while he was attending Pierce College in the San Fernando Valley. As he would later recall it, he was dating a girl who knew a famous Hollywood director and was invited to a July 4 party at a beachside home, which turned out to be filled with celebrities. He knew some of the members of the band that was performing at the party from high school, and when he was encouraged to jump up and sing a couple of numbers with them, it turned out to be fateful. “When I started singing, kids started jumping up on the wall from the public side, I guess, to see who was singing,” he told writer Ann Moses. “After it was all over, Jane Fonda and Natalie Wood came up to me and said, ‘We think you’re very talented, are you being managed?’ I said, ‘No, not really.’ And they said, ‘Well you should do something about it.'”

Within the week, he said, Wood had arranged meetings for him with both MGM and an agent, and soon he was booked by Jack Good on the teen music show “Shindig.”

“I, of course, had never made a record and I didn’t have anything on tape,” he recalled, so he lip-synched at his audition to a recording of the then-hit “Palisades Park.” “After I did the number, Jack said, ‘Groovy, please wait outside.’ A few minutes later he came out and said, ‘How would you like to do 26 of our shows?’ … Just like that I was in the business.” Sherman soon came to realize he would be the selling point to a network for “Shindig,” which had gone through pilots but remained in limbo. “They were looking for the all-American kind of kids, because everything else was very long hair and British at the time. Jack Good put me on the (subsequent) pilot as this kid with cropped hair, very straight, singing ‘Back Home in Indiana.'”

Although he picked up a following, the show was canceled, and Sherman went into what he called eight months of “dark days,” wondering if his one shot had come and gone. He did manage to book episodes of “The Monkees,” “The FBI” and “Honey West” when he met future manager Ward Sylvester and Screen Gems VP Streve Blauner, who asked him, “I have a show that you might be good for — can you stutter?” — putting him up for the pilot of “Here Come the Brides.”

The hour-long comedy-Western show ran for two seasons, from fall 1968 through spring 1970, with Sherman coming to stardom as younger brother Jeremy Bolt alongside costar David Soul.


Later acting roles included guest shots on “The Partridge Family,” “The Mod Squad,” “Emergency!,” “Murder She Wrote,” “The FBI” and “Frasier,” plus a regular role on the short-lived USA Network series “Sanchez of Bel Air” in 1986. He appeared in two films, the 1975 family film “He Is My Brother” and the 1983 cult favorite “Get Crazy,” a rock-themed film in which he was ironically paired with Fabian as the comedy’s henchman villains.

Sherman stopped recording in the mid-1970s. After eschewing the life of a singer for roughly a quarter-century, Sherman went back on the road in 1998 on a nostalgia tour with Davy Jones and Peter Noone, before retiring again from most musical pursuits three years later.

On an appearance with Dick Clark in the 1990s, Sherman said that he had not given up his role as an entertainer, but his personal focus was on other areas.

“I’m still in show business,” Sherman said, “but I volunteer my time basically as a emergency medical technician and a special officer with the Los Angeles Police Department, where I teach police officers first aid and CPR at the Los Angeles Police Academy.”

Asked why this had become a focus of interest, Sherman said, “When my two sons, Christopher and Tyler, were growing up, I had visions of them kind of falling out of trees and bites and all that, so I wanted to be prepared for any emergency, so i took first aid. And I just fell in love with it. The more I learned, the more I wanted to know more, and the next thing I know, I’m an instructor.”

When he was asked in the ’90s if he’d ever grown weary of his fame, Sherman said, “Never did. I was blessed with some really nice fans, and they’re still with me, so God bless ’em. And any time I go out, I don’t try to hide from ’em; I don’t wear disguises. I’m just as eager to see them as they are to see me.”

But his conversations often turned to his private passion for medical aid. “If I had a wish, I would wish that every man, woman and child would learn first aid and CPR,” he said. “It works, and you never know when you’re gonna be called upon to take care of somebody.”

Sherman was divorced from the mother of his two sons, Patti Carnel. He married Brigitte, a native of Indonesia, in 2010.

Besides Brigitte, Sherman is survived by Tyler and Christopher and six grandchildren. 

In her social media message, Brigitte added: “He lived with integrity, gave without hesitation, and loved with his whole heart. And though our family feels his loss profoundly, we also feel the warmth of his legacy — his voice, his laughter, his music, his mission. Thank you to every fan who ever sang along, who ever wrote a letter, who ever sent love his way. He felt it.”


First published at Variety, June 24, 2025





Friday, 13 June 2025

Singer-songwriter and co-creator of the Beach Boys Brian Wilson dies aged 82



Brian Wilson, centre, with members of the Beach Boys in Los Angeles in 2012. (Reuters: Mario Anzuoni, file)

Brian Wilson, the singer-songwriter who co-created the Beach Boys rock band, has died.

His family released a statement confirming the news on his website and social media pages on Wednesday, US time.


He was 82 years old.


"We are heartbroken to announce that our beloved father Brian Wilson has passed away," Wilson's family said in a statement.


"We are at a loss for words right now.


"Please respect our privacy at this time as our family is grieving. We realise that we are sharing our grief with the world."


The statement did not disclose a cause of death. 


Wilson had suffered from dementia and was unable to care for himself after his wife Melinda Wilson died in early 2024, prompting his family to put him under conservatorship.


Wilson's ear for melody, arrangements and wide-eyed self-expression inspired Good Vibrations, California Girls and other summertime anthems, making him one of the world's most influential recording artists.


The pop visionary crafted hits whose success rivalled The Beatles throughout the 1960s.


Between 1962 and 1966 a seemingly inexhaustible string of feel-good hits including Surfin' USA, I Get Around, Fun, Fun, Fun and Surfer Girl made the Beach Boys into America's biggest selling band.


But after five years of prodigious songwriting, in which he produced 200 odes to sun, surfing and suntanned girls, Wilson sank into a deep, drug-fuelled depression for decades.


He would emerge 35 years later to complete the Beach Boys's unfinished album, Smile, widely regarded as his masterpiece.


The Beach Boys rank among the most popular groups of the rock era, with more than 30 singles in the Top 40 and worldwide sales of more than 100 million.


The band was voted in to the Rock and Roll Hall of Fame in 1988.


The Beach Boys a family affair

Born on June 20, 1942 in a Los Angeles suburb, music was a haven of safety and joy for Wilson after an upbringing in which he suffered abuse from his domineering father, who would go on to manage the group.


Music was Wilson's protection, as he gathered his brothers around a Hammond organ in the living room to teach them jazz and gospel harmonies.


He formed the band with his two brothers Dennis and Carl, his cousin Mike Love and neighbour Al Jardine when he was 19, who lived around the corner in Hawthorne.


The Beach Boys became one of America's most successful bands despite the many ups-and-downs they faced in the 1960s. (Getty: Michael Ochs Archives)

Wilson did all the songwriting, arranging and sang and played bass guitar. His band mates just had to sing in harmony.


Their first song Surfin in 1961 combined the rock styles of Chuck Berry and Little Richard and the preppy vocal harmonies of The Four Freshmen.


By late 1962, there was hardly a teen who did not know them thanks to Surfin' USA.


Last year Wilson's family successfully pursued a legal conservatorship following the death of his wife Melinda, with his longtime manager and publicist being put in charge of his affairs.


Wilson suffered a "major neurocognitive disorder," the judge said.


Wilson's seven children were consulted by the conservators regarding major health decisions as a stipulation of the agreement.


Wires


First published at ABC News, June 12, 2025





Saturday, 7 June 2025

The Classic 100 Countdown for 2025 - Piano. My votes


By Tony Magee

Piano was the theme on ABC Classic FM’s Classic 100 in 2025. Not the first time piano has been the theme, the previous one being in 2004.

After the music loving public of Australia had completed their votes (ten allowed per voting session), the Countdown of the top 100 pieces were played over the weekend of July 7 and 8.

The Classic 100 began in 2001. There was no specific theme that year, save for the premise  “What’s your favourite piece of classical music?”

Having four email addresses, I was able to vote four times, as follows: