Monday 6 February 2006

Album Review: WHAT WAS LEFT - CLARE BOWDITCH AND THE FEEDING SET, EMI 094634071826, Reviewed by Tony Magee


Clare Bowditch possesses a wistful, wandering voice, full of interesting textures and colour. All the material on this album is original, composed by Clare herself. She searches very deeply indeed amongst subjects so varied, but all within the great framework of life’s ups and downs, difficulties, sadnesses and joys, loves and losses and so much more.

The lyrics, which are also reproduced in the booklet, are written more as rambling stories without metre or rhyme. The fascination is then listening to how Clare has written the music to capture the words, which as I say are often in a very unordered fashion. It’s different to most traditional forms of song-writing and in that regard reminds me of the Beatles in their later years. Very, very creative, unusual, non-conformist and gripping to listen to.

The musical arrangements and backings are excellent. Clare’s band is full of energy and drive when required. At other times it’s just the gentleness of acoustic guitar. Drummer Marty Brown has a great sound – broad, expansive and full of depth, without bashing. He also doubles on piano, pump organ, violin-zither, electric guitar, saron and something called “phantom Vietnamese instrument” – whatever that is.

The band plays together with such a relaxed feel - they obviously all know each other musically very well and can fit things together seamlessly. Backing vocals and harmonies are also beautifully done.

In summary, I think this is one of the best Australian albums to come out in years. Clare and all the musicians are major talents. Her talents as a songwriter are captivating. Most importantly, this is a new sound. I’m on my fourth listen now and I can’t turn it off. Go get it.

Tony’s rating: 4 stars

First published in Eat Drink Magazine, Feb 2006 and Australian Hotels Association Magazine Feb 2006


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