Friday, 5 September 2025

Peter Sellers



Written by The Editors of Encyclopaedia Britannica

Peter Sellers. Photo courtesy Iconic Greats

Peter Sellers (born September 8, 1925, Southsea, England—died July 24, 1980, London) was a versatile English comic actor whose astonishing range of characters earned him international stardom at a time when rigid typecasting was usual.

Sellers was a descendant of legendary Portuguese-Jewish prizefighter Daniel Mendoza and the son of British vaudeville performers. After winning a talent contest, he planned to become a professional drummer, and as such he was hired to perform in Ralph Reader’s “gang shows”—concert units that toured British army bases during World War II. He developed his mimicry skills while serving in the Royal aaAir Force and ultimately abandoned the drums in favour of comedy, performing celebrity impressions during a six-week run at London’s Windmill Theatre. In 1951 he teamed with Spike Milligan and Harry Secombe to create The Goon Show, a radio comedy sketch series. Emerging as the star of the series with his repertoire of eccentric characters, Sellers also dominated the Goons’ film projects, including the short subject Let’s Go Crazy (1951) and the feature-length Down Among the Z Men (1952).


On his own, he played a handful of supporting film roles before his breakthrough appearance as a doltish crook in The Ladykillers (1955). Following the advice of that film’s star, Alec Guinness, Sellers strove to avoid playing the same character twice. He especially enjoyed disappearing into characters much older than himself (The Smallest Show on Earth, 1957; The Battle of the Sexes, 1959) and playing multiple roles (The Mouse That Roared, 1959). He did some of his best work for the Boulting Brothers in the late 1950s and early ’60s, notably his characterization of obstreperous inion shop steward Fred Kite in I’m All Right Jack (1959); it was also during this period that he made his feature directorial debut with Mr. Topaze (1961). Many British observers of the period dismissed Sellers as a glorified radio mimic, while Americans lauded him as a genius. One such American was director Stanley Kubrick, who cast Sellers as the treacherous Clare Quilty in Lolita (1962) and in three superbly defined roles in the brilliant “doomsday comedy” Dr. Strangelove: or: How I Learned to Stop Worrying and Love the Bomb (1964). Sellers was nominated for an Academy Award for best actor for the latter film.


Peter Sellers as Dr. Strangelove. Photo courtesy Farout

The role that earned him superstar status was the magnificently inept Inspector Clouseau in The Pink Panther (1963) and A Shot in the Dark (1964), both directed by Blake Edwards. The success of these projects was marred by Sellers’s near-fatal heart attack in 1964. Upon his recovery, the quality of his films became wildly erratic, his mercurial offscreen temperament reflected by the unevenness of his cinematic output. Movies from this period included What’s New, Pussycat? (1965), Casino Royale (1967), I Love You, Alice B Toklas! (1968), and There’s A Girl in My Soup (1970). He would not truly hit his stride again until the mid-1970s, when he repeated the role of Inspector Clouseau in three profitable Pink Panther sequels.


In 1979 Sellers delivered what many consider his finest performance, as the simpleminded gardener Chance in Being There. This Oscar-nominated triumph was followed by one of his worst films, The Fiendish Plot of Dr. Fu Manchu (1980). 


Suffering a series of heart attacks, he died at age 54. His final “performance” in Trail of the Pink Panther (released posthumously in 1982) was a hodgepodge of outtakes of outtakes from earlier films.


The Pink Panther (movie series)


The Pink Panther, British comedy film, released in 1963, that was the first and arguably the best entry in the Pink Panther film series.


Peter Sellers as Inspector Clouseau, in The Pink Panther films.
Photo courtesy Britannica

Bumbling French detective Jacques Clouseau (played by (played by Peter Sellers) is assigned to prevent the notorious villain Phantom (David Niven) from stealing a world-famous jewel known as the Pink Panther, which belongs to a princess (Claudia Cardinale) who is on holiday at an Alpine resort. The film evokes a bygone era in which screen heroes were seemingly always dressed in tuxedos and able to produce a clever witticism or seductive line for every occasion. Though the film was a comedy, Sellers’s Clouseau was not yet the over-the-top character he would later become.


Fans familiar only with the subsequent entries in the Panther series may find this initial film relatively slow moving when compared with the slapstick farces that followed. However, the Inspector Clouseau character was never intended to inspire a series, and many critics have concluded that the sophistication of this film was never equaled in the sequels. Henry Mancini’s famous jazz theme song and the pink animated cartoon panther that opens and closes the movie are integral parts of cinematic history. The Pink Pather was directed by Blake Edwards, who helmed subsequent installments. The series was later revived with Steve Martin portraying Clouseau.


First published at Britannica, September 4, 2025





Thursday, 4 September 2025

Linn Sondek history and upgrade path




Compiled by Tony Magee


Linn Sondek LP12


The Linn Sondek LP12 (often shortened to Sondek or LP12) is a transcription turntable produced by Glasgow-based Linn Products, manufacturers of hi-fi, home theatre and multi-room audio systems. Its name is derived from the 12" vinyl LP (long play gramophone record).


Hi-Fi Choice reviewers voted the LP12 "the most important hi-fi component ever sold in the UK" and The Absolute Sound ranked it the second most significant turntable of all time in 2011. Linn named their flagship CD player the Sondek CD12.


The Absolute Sound list is:


10 - Walker Diamond MK III

 9 - Well-Tempered table (1979)

 8 - Oracle Delphi (1979)

 7 - Panasonic SP-10 (1970)

 6 - Garrard 301 (1954)

 5 - Thorens TD-124/TD-160 (1957)

 4 - Goldmund Studio (1985)

 3 - Sota Star Sapphire (1981)

 2 - Linn Sondek LP12 (1972)

 1 - AR-XA (1961)


The Sondek LP12 turntable, introduced in 1972, by founder and chairman Ivor Sigmund Tiefenbrun, uses a suspended sub-chassis design and a patented tightly toleranced single-point bearing. The LP12 has evolved since its introduction, but its basic suspended sub-chassis design has remained. The design was identical to the Ariston RD11 and similar to the Thorens TD150, both in turn based on the Acoustic Research XA turntable that was launched in 1961. The XA was created by renowned audio pioneer Edgar Villchur.


Ivor Sigmund Tiefenbrun MBE (born March 1946) is the founder and chairman of Linn Products Ltd, Glasgow-based manufacturers of high-fidelity audio equipment and home theatre equipment. He was influential in the manufacture and retail of British audio in the 1970s and 1980s, and was appointed MBE by Elisabeth II in 1992.


“Linn didn't invent the turntable, we simply understood that there was more information on an LP record than people were capable of accessing, so we applied our understanding of engineering to extracting it.”

Ivor Tiefenbrun, 2007


Price list as of 2025


Linn Majik $6,995

Linn Accurate $16,995

Linn Selekt $24, 995

Linn Klimax $54,995



Linn Sondek upgrade path


1972: Original LP 12 released.


1974: Power switch changed from red sideways rocker to red push button


The original design: Basic power supply - just a smoothing capacitor and a resistor, original silver suspension springs.


1981: Nirvana new suspension springs and grommets. Original first generation springs were grey metal. Replacement upgrade springs were black


1982: Valhalla: total rethink on the power supply. Smoothing capacitor replaced with advanced circuit board crystal oscillator power control unit. Not unlike Technics quartz lock control


Linn Valhalla power supply. You can also see the suspension springs are black, 

so this one has had the Nirvana upgrade as well.


A Hong based version of this was released a few years later called Hercules. It fitted in exactly where Valhalla went. Some Valhallas were breaking down due to age and not economical to repair. Hercules offered a 45 speed as well. Very economical at AU$500 (in 2017).


1990 Lingo upgrade. External power supply, offering two quartz crystal speeds.


1991: Trampoline base board and feet. Significant upgrade from the original masonite and felt feet


1993: Cirkus upgrade - new precision bearing


2001: New motor (first new motor since original 1972 one)


2002 Maple plinth introduced adding to existing black, walnut, rosewood and afromosia options.


2006: Keel replacement solid aluminium sub-chassis


2006: Trampoline Mark 2 - base board made from aluminium


2009: Radikal Control box DC motor and power supply


2013: Full-spec limited-edition (40 in all) 40th anniversary LP12, plinth made from oak casks from Highland Park distillery, priced at £25,000. 


2018: Lingo 4 power supply, including dual speed AC motor


2022: Karousel New single point bearing, replacing Cirkus bearing


Alternate upgrade path:

1972 LP12 turntable introduced.

1974 Main bearing liner changed. Sub-chassis strengthened by addition of strap, spot welded in place. Motor control circuit changed from terminal strip to small PCB. Mains switch changed from two buttons to single with mains neon. [s/n 2,000]

1978 Top plate modified adding two holes for 6 x 0.5 self tappers into wood block. [s/n 23,000]

1979 Lid prop removed, hinges changed to spring loaded, self-supporting. [s/n 27,000]

1981 February. Nirvana mechanical components. [s/n 32,826]

1982 May. Valhalla crystal-driven electronic power supply made standard. [s/n 38,794]

1984 New clear lid. [s/n ~52,600]

1984 Enlarged plinth corner bracing. [s/n 53,000]

1984 June. Sub-chassis strengthening bar epoxy glued instead of spot welded. [s/n 54,101]

1985 August. Cap head screws on bearing housing. [60,383]

1985 September. Diode modification to Valhalla board [s/n 61,090]

1985 December. Strengthening blocks on corners of plinth.

1986 Suspension springs improved.

1987 March. New bearing housing, New Formica and MDF armboard. [s/n 69,161]

1987 April. New springs. [s/n 69,591]

1987 Bearing improved with better lining material and tighter tolerances. Change to black oil. Suspension springs ground to improved tolerance. Arm board composition improved. [s/n 70,000]

1989 Motor thrust pad changed. Valhalla surge guard modification. PCB mains lead (UK). [s/n 79,700]

1989 New MDF armboard, laminated top and bottom. [s/n 79,160]

1989 Harder suspension grommets fitted. [s/n 81,000]

1990 External Lingo power supply available as add-on.

1991 Motor thrust pad cap added to Lingo models. [s/n 87,047]

1991 Valhalla board prototype with 45RPM (never went into production, codename "Wakonda") [s/n 87,047]

1991 Motor thrust pad cap added to Valhalla models. [s/n 87,206]

1991 Introduction of LP12 Basik, a stripped down version of the turntable [s/n 87,672]

1991 Solid base board replaces hardboard. [s/n 87,672]

1991 Trampolin base board with isolating feet available as an option [s/n 87,672].

1992 Improved top plate fixing. [s/n 88,950]

1993 Cirkus upgrade (larger and better machined inner platter and new bearing, new springs, armboard, belt) fitted as standard. [s/n 90,582]

1997 A limited edition commemorative LP12 was created to mark the 25th anniversary of the LP12. Amongst other features, it bears a plaque etched with the signature of Linn's founder, Ivor Tiefenbrun.

2000 Fourth bolt added near motor on top plate, fitted as standard (requires corner braced plinth).

2001 New motor used (first new motor since original 1972).

2002 Maple plinth introduced adding to existing black, walnut, rosewood and afromosia options.

2013 Full-spec limited-edition (40 in all) 40th anniversary LP12, plinth made from oak casks from Highland Park distillery, priced at £25,000.


Official Linn website click here.





Film pays tribute to powerful Italian women


Italian brides en route to Australia… the film speaks of the many women who began their lives in Australia as small children, young mothers or innocent, young, proxy brides.

A film destined to warm the hearts of Italian-Australians will be one of the highlights of this year’s Italian film festival, writes arts editor HELEN MUSA.

Signorinella: Little Miss, written, directed and produced by Angelo Pricolo, Jason McFadyen and Shannon Swan, pays tribute to the powerful women who have sustained their families ever since Italians started migrating to Australia in the early part of the 20th century. 

The diminutive Signorinella means something like “missy” or “little miss” and gives a hint of the cross-generational nature of the film, which speaks of the many women who began their lives in Australia as small children, young mothers or innocent, young, proxy brides.

The content of the film, will also be in general release from October , is remarkable for its specificity, but some stories are unexpected. 

We see Jewish businesspeople join Italian seamstresses to make Melbourne’s Flinders Lane a fashion hub, with the Italians picking up a bit of Yiddish. Yet, according to seamstress Rosetta Pricolo, they were still referred to not by name, but by number.

Maybe that was better than being dismissed as a wog or dago, a taunt most of the film’s subjects experienced.

Chef and restaurateur Paula Toppi gives us the actual gargantuan menu that tenor Luciano Pavarotti worked his way through at the family restaurant. He even took home a tray of tiramisu at the end.

Bridal gown queen Mariana Boggio Hardwick tells us how being Italian had meant she brought a new view to the wedding industry. 

Cathy Rossi Harris, the chairperson of Harris Farm Markets, tells what a cultural eye-opener their honeymoon in Italy was for her husband David before they came back and opened the business. 

Elina Garreffa, of the sultana empire Tabletop Grapes, describes the hard work of women on the farms. 

We meet politician Allegra Spender, the daughter of fashion designer Carla Zampatti, who remembers when her mother was asked to design a Ford Laser. 

Towards the end of the film we meet powerful figures such as politician Frank Arena, and super-singer Filippina Lydia “Tina” Arena, but the focus is more on the women behind the scenes. 

When I catch up with co-director Angela Piccolo, he tells me that the title came from Achille Togliani’s Neapolitan song, which he loved as a kid. 

“I grew up with Neapolitan music, and I still insist that we call it Napoli, not Naples,” he says,“the song just seemed to resonate”.

One of the most striking features of the movie is the way that Pricolo and the technical team have manipulated static images so that, for instance, a photo of a father waiting to greet his family first shows him with a grim look on his face which resolves into a smile and the movement continues. 

“We were very conscious of the fact that using AI could be controversial,” Pricolo says, “so we did it with full permission of the subjects, but most of them were so excited and one of them, 94 year-old Celestina Mammone, saw her father come to life for the first time in many years.”

“The incredible stories that we put together almost picked themselves,” he says, praising his colleagues McFadyen and Swan for helping discover the footage.

Italian women, the backbone of Australia’s fashion industry… the film shows Jewish businesspeople join Italian seamstresses to make Melbourne’s Flinders Lane a fashion hub.

Narrated by star film actress Greta Scacchi, speaking with a natural Australian accent, the film mixes women who speak like Aussies with those who retain their Italian accents, often speaking with their hands.

As he proceeded to shoot interviews in private homes, Pricolo says he found that it put many of the subjects in their comfort zone to switch to Italian.

“In our section on proxy brides I first spoke to Carmela Rocca in English, but then we reverted to Italian and she lit up like a Christmas tree,” he says.

A key part of the film concerns the strong women from Griffith to Innisfail who took over the cane farms and other businesses when Italian-Australian men were interned as suspected enemy aliens during World War II. 

“As the son of an Italian migrant, it is extraordinary to hear these stories,” Pricolo says, “but of course it’s not just a story of Italian immigrants, it’s a story of the many people who came to Australia, showing how through how many cultures, we are a better country.”

Italian Film Festival 2025, Palace Electric, September 19-October 16. Signorinella: Little Miss, September 20 and 28.

First published at Canberra City News, September 2, 2025

Related article: Sydney Australian Film Festival 2007 - Sophia Loren special guest.

Related article: Italian Film Festival Canberra 2024



From Simone Young to Siobhan Stagg, meet the musicians making their mark on international stages



Many Australian musicians like Simone Young had to go overseas to build their career and hone their talent. 
(Sydney Symphony: Daniela Testa)

By Ria Andriani

With the exception of names like our grand Dames of opera, Nellie Melba and Joan Sutherland, Australia's track-record of nurturing talent here at home hasn't always been stellar.

Conductor Simone Young, arguably one of Australia's most successful exports since Sutherland, ventured overseas to build her career after facing challenges in the Australian landscape. For the last 30 years, Young honed her skills in Europe's major opera houses and orchestras. 

In 2022, Young became Chief Conductor of the Sydney Symphony Orchestra, giving Australian audiences a consistent chance to see her in action. 

Young isn't the only Australian hitting goals both here at home and around the globe.

More Aussies on the world stage

It's been a great year for Australian musicians on the world stage. 

This month Daniel Carter starts his post as Music Director of the German National Theatre and State Orchestra in Weimar, Germany, a position previously held by J.S Bach, Franz Liszt and Richard Strauss. And Ingrid Martin was appointed Assistant Conductor of the Detroit Symphony Orchestra.

There are hundreds more Aussies doing great things around the world. Enough to form an entire orchestra, the Australian World Orchestra. Their members are drawn from far-flung places including Berlin, Chicago, Los Angeles, Hong Kong, London and more. 

Luckily for us, many of these musicians regularly perform in Australia. The Australian World orchestra is coming together this week for performances in Sydney and Melbourne.  

"It's such an exciting time for Australian classical music with artists like Siobhan Stagg and Simone Young shining on the world stage and bringing that brilliance home," says Alice Keath, presenter of ABC Classic's What's On, a guide to Australia's best classical concerts and live performances.

Opera singer Siobhan Stagg is another Australian who chose to hone her craft on European stages for over a decade. She recently made her debut with Opera Australia to much acclaim.

Siobhan Stagg living the dream of being an opera singer

Mildura-born soprano Siobhan Stagg built her operatic career in Europe's opera houses, but visits Australia regularly. (Supplied: Jakob Tillmann)


Many people dream of singing in an opera, but few manage to realise it. 

Becoming an opera singer requires superb vocal technique and an affinity for acting. It also involves constant hard work, rigorous training and finding someone willing to give you a chance to prove yourself.

Stagg made her dream a reality.

Originally from the regional Victorian town of Mildura, Stagg proves that you don't have to be Taylor Swift or own a private jet to make the world your stage.

"She's already notched up performances at many of the major [opera] houses in Germany, France, Holland, Chicago and Ireland," says ABC Classic Legends presenter Mairi Nicolson. Not to mention major festivals in Edinburgh, Adelaide, Aix en Provence and the BBC Proms.

Stagg has made a home and a name in Berlin, where she has been living since 2013. But she regularly visits Australia.

Recently finishing her debut run with Opera Australia as Susanna in Mozart's The Marriage of Figaro, Stagg is making a brief visit to Berlin before flying back for another extended stay in Australia.

Stagg has appeared on numerous international stages and at many major festivals. (Siobhan Stagg: Samantha Meuleman)

With new operas and symphony concerts written especially for her, Stagg is expanding her repertoire.

Earlier this year she starred in a brand new opera, The Dark Side of the Moon, by Berlin-based composer Unsuk Chin. Stagg played the lover of a 1930s fictional quantum physicist with a slowly fragmenting mind.

"They share a special connection, but their love story is never quite realised," Stagg says.

After a concert with the Melbourne Symphony Orchestra in September and making a debut with State Opera of South Australia as Juliette in October, Stagg will perform a brand-new symphonic concert piece written especially for her. 

Simone Young at the height of her power

If you don't know Young from the concert stage, you might recognise her from Knowing The Score, a documentary charting her meteoric rise to become one of the world's top conductors.

With more than 40 years of conducting under her belt, Young is at the height of her power. She's regularly on the podium in Europe's leading opera houses and concert stages in New York, New Zealand and Sydney.

Young made history last year as the first Australian and first woman to conduct Richard Wagner's Ring Cycle in Bayreuth, a series of four operas totalling 15 hours. It takes hundreds of players and a cast of singers to bring to life.

The festival was started by Wagner himself in 1876, in a theatre he built to stage his grand vision for the operas. Young has just returned from Bayreuth where she conducted the Ring Cycle for the second year running.

Back in Sydney, Young will perform the music of Richard Strauss, a contemporary of Wagner whose symphony has become an iconic part of screen music, particularly Thus Spoke Zarathustra.

If that name doesn't ring a bell, the opening strains certainly will. The dominant trumpet call featured in 2001: A Space Odyssey made this household music. It's also been referenced in popular culture from The Simpsons to the recent Barbie movie.

"Strauss' lush harmonies, intense emotionality, walking the tightrope between despair and ecstasy — these are all powerful elements in a symphony concert," Young says.

As the recent Hottest 100 of Australian songs showed, music lovers take fierce pride in celebrating the achievements of home-grown talent who can only thrive with our support. It's the same for classical music.

Keath says: "The best way audiences can support musicians is by showing up."

"Go to their concerts, tune in on ABC Classic and help create a strong, engaged community that celebrates and sustains this incredible talent."


First published at ABC News, September 3, 2025


Related article: Simone Young conducts Sydney Symphony Orchestra: Mahler Symphony No. 2