Tuesday 5 November 2024

Scholarly insights into author George Orwell wins international award for NSW assistant principal




By Nick McLaren and Melinda James


Darcy Moore (left) received the award from George Orwell's son, Richard Blair. (Supplied: Darcy Moore)


A high school teacher from the NSW South Coast has "out-scholared" academics from around the world, blogging his way to international recognition for his unique historical insights into author George Orwell.  

 

Orwell, real name Eric Blair, penned classics such as Nineteen Eighty-Four (1949), Animal Farm (1945) and Down and Out in Paris and London (1933). Books that are still widely read and highly relevant today due to their profound insights into truth-telling and objectivity.


An assistant principal at Dapto High School, Darcy Moore runs his own online George Orwell studies blog with original articles uncovering previously unknown aspects of the author's life.


Mr Moore, who lives in Kiama, has self-financed research trips to the United Kingdom, France and India and is currently in Marrakech, Morocco, travelling with George Orwell's son.


Last week in London, he was announced the winner of the Orwell Society's Peter Davidson Award, named in recognition of "outstanding ability and contribution to the study of George Orwell, his life and work."


A spokesperson for the society said Mr Moore uncovered 13 previously unknown letters from Orwell to sculptor Siegried Charoux, two letters to newspaper editor and millionaire David Astor and previously unknown material about the author's Anglo-Indian family sourced from India.


"He has also found significant new information relating to Eric Blair's time spent in Paris, from which Blair wrote his first book, Down and Out in Paris and London, and the wider family history of Eric Blair," the spokesperson said.


Dapto High School teacher Darcy Moore says he's studied Orwell's complete works for over a decade. 
(Supplied: Darcy Moore)

Darcy Moore's deep interest in George Orwell was seeded at school when he read key texts.

But it deepened about 10 years ago after Mr Moore obtained and read, chronologically, the complete works, including a series of letters of George Orwell.


"It was clear there were huge gaps in our knowledge even though this amount of effort had been put into collecting his work," he said.


"I am in very deep now. I have spent so much time doing this and there are so many questions.


"I guess I should be sick of it now, but I feel excited by trying to find out more things about Orwell.


"The things I am discovering are changing my understanding, but I also think over the longer term they will change our understanding."


Orwell in India and Burma


Eric Arthur Blair was born in 1903 in Motihari in northern British India, where his father worked for the Indian Civil Service.


He returned to England at a young age to attend a boarding school. He later attended Wellington and Eton Colleges, then returned to the subcontinent in 1922 to take up a position with the Indian Imperial Police in Burma.


Mr Moore travelled to Orwell's birthplace to further research his past.


"Orwell was an Anglo-Indian. In other words, he was part of a class of people that for centuries went to India and Ceylon and Burma and were servants of empire," Mr Moore said.


Darcy Moore is currently retracing Orwell's past during through a series of trips. (Supplied: Darcy Moore)

"I went to where he was born, Motihari, and also to where his parents married, Nainital, and I got into the Indian archives.


"I found documents about his father who was an opium agent, a controversial job to say the least, and that wasn't really mentioned during his lifetime at all."


Morocco pilgrimage reveals more


Mr Moore's travels in search of Orwell's past have also taken him to Paris, where he has mapped the locations Orwell visited and what he did there, with some of the information to be included in an upcoming book.


Mr Moore's current search has taken him to Marrakesh in Morocco with Richard Blair, Orwell's son and Quentin, the son of Georges Kopp, who was Orwell's commander when he fought in the Spanish Civil War.


 Mr Moore said it was a good opportunity to do some more research.


"As you know, Orwell died of tuberculosis and he went to Marrakech. He went to Morocco to try to get away from the London winter, which is not really conducive to breathing so well," Mr Moore said.


"There's a few of us. They [Orwell's family and colleagues] have been endlessly generous to me, so if I have got questions or need contacts, they really have assisted.”


First published at ABC News Illawarra, November 5, 2024





Quincy Jones, legendary composer, producer and arranger who shaped Michael Jackson’s solo career, dies aged 91




Quincy Jones poses for a portrait during the Toronto Film Festival in 2018. (Photo: Chris Pizzello / Invision / AP)


By Steve Marble


Quincy Jones, who expanded the American songbook as a musician, composer and producer and shaped some of the biggest stars and most memorable songs in the second half of the 20th century, has died. He was 91.


Widely considered one of the most influential forces in modern American music, Jones died Sunday at his Bel-Air home surrounded by his children, siblings and close family, according to his publicist, Arnold Robinson. No cause of death was disclosed.


“Although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him,” Jones’ family said in a statement to The Times. “He is truly one of a kind and we will miss him dearly; we take comfort and immense pride in knowing that the love and joy, that were the essence of his being, was shared with the world through all that he created. Through his music and his boundless love, Quincy Jones’ heart will beat for eternity.”


The arc of Jones’ long career stretched from smoky jazz clubs, where he collaborated with innovators such as Miles Davis, Charlie Parker and Dizzy Gillespie, to his Los Angeles power base, where, like a titan, he watched over his musical empire from a mansion atop Bel-Air.


During his career, Jones helped mold Michael Jackson into a mega-star by producing a trilogy of albums that made the pop singer arguably the best-known musician in the world, raised tens of millions of dollars for Ethiopian famine victims by producing the bestselling song “We are the World,” and won 28 Grammy Awards, more than any artist besides BeyoncĂ© and George Solti.


If some stars reached a career cruising altitude where they were identified by just one name — Prince, Madonna, Sting — Jones boiled it down to a single letter: Q.


Harvard historian and literary critic Henry Louis Gates Jr. said he viewed Jones’ influence and career milestones as being on par with American innovators and big thinkers such as Henry Ford, Thomas Edison and Bill Gates.


“We’re talking about the people who define an era in the broadest possible way,” Gates told Smithsonian magazine in 2008. “Quincy has a lifeline into the collective consciousness of the American public.”


Oprah Winfrey, who worked with Jones when he helped produce and score the music for the 1985 movie “The Color Purple,” described him as a force of nature, unlike anything she’d encountered.


“Quincy Jones on a bad day does more than most people do in a lifetime,” she said in “The Complete Quincy Jones: My Journey and Passions.”


The late Davis put it another way: “Certain paperboys can go in any yard with any dog and they won’t get bit. He just has it.”


Director Steven Spielberg, in a statement to The Times on Monday, said that to those who value Jones’ contributions to art, society and the human race, “he was the world ... we are his children.”


When he was young and amid the legends of the day, Jones said he would “sit down, shut up and listen,” silently absorbing lessons he realized he couldn’t possibly get anywhere else. But fame and success ultimately released any reluctance to speak out, and seemed to loosen his ego as well.


Asked by The Times in 2011 to compare himself to Kane West (now known as Ye), Jones seemed indignant.


“Did [West] write for a symphony orchestra? Does he write for a jazz orchestra? Come on, man ... I’m not putting him down or making a judgment or anything, but we come from two different sides of the planet.”


In testament to the respect Jones commanded, when Barack Obama was exploring a presidential bid, one of his first stops in Southern California was the producer’s Bel-Air estate.


Taking in the home’s king-of-the-universe views, Obama listened while Jones told stories of jamming with legends such as Gillespie or the surge of power he felt working the soundboard as one mega-star after another stepped forward to sing a verse for “We Are the World.”


“All of us who were lucky enough to be in his circle were given nicknames by Q,” said Spielberg, who directed “The Color Purple” and produced the 2023 remake. “Mine was ‘Carl,’ because in 1980 when we met, my answering machine had a voice message where you heard me doing a terrible impression of [scientist] Carl Sagan. He never called me by my first name again. He was deeply committed to family. Everyone close to him felt special and blessed just to listen and learn and laugh. Just yesterday, like he had for the past 33 years, he sent flowers to my wife Kate for her birthday. We will miss him, but there is so much of him surrounding us to keep him close.”


“The Color Purple” and “Euphoria” actor Colman Domingo, in a tribute on X, recalled his first time meeting Jones: “He asked, where are you from? Philly I replied, his eyes twinkled and he talked about the Uptown Theater. I was so thrilled to meet Mr. American Music himself. I literally kneeled because he was a King. Thank you Mr. Quincy Jones for giving us all the sound.”


“You were a father and example at a time when I truly needed a father and example,” wrote rapper and actor LL Cool J on Instagram. “Mentor. Role model. 


King. đź‘‘You gave me opportunities and shared wisdom. Music would not be music without you. My condolences to the entire family. I love you. Rest in the sweetest music eternally. #ripquincyjones one of one”


Two-time Oscar winner Michael Caine, who shared Jones’ birthday and starred in the Jones-scored “The Italian Job” in 1969, remembered him as his “celestial twin.”


“[He] was a titan in the musical world. He was a wonderful and unique human being, lucky to have known him,” Caine wrote on X.


Quincy Delight Jones Jr. was born March 14, 1933, in Chicago. His father, Quincy Jones Sr., was a semiprofessional baseball player and a carpenter. His mother, Sarah Frances, was a bank officer and an apartment manager. His younger brother, Lloyd, died in 1998.


As a youth, Jones was exposed to Black roots and religious music and early jazz piano. His mother was an avid singer of spirituals, and a next-door neighbour, Lucy Jackson, helped Jones learn to tap out boogie-woogie on the keyboard.


Michael Jackson holds his eight awards as he poses with Quincy Jones at the Grammys in 1984. 
(Photo: Doug Pizac / Associated Press)

When he was 10, Jones’ mother was committed to a mental institution. The impact was profound and Jones said he was left with painful memories of the trips to the psychiatric hospital, unsure exactly why his mother couldn’t come home with him.

With his mother institutionalised, Jones said, he began to run the streets. It was a tough, beaten-down neighbourhood on the south side of Chicago and gangsters controlled every block. One day when Jones was walking home, a group of street toughs pinned him to a fence, plunged a knife blade into one of his hands and stabbed him in the temple with an ice pick.


That helped convince Jones’ father, who had divorced and remarried, that it was time to get out of Chicago.


In search of a better job and a safer environment, Jones’ father moved his newly blended family to Bremerton, Wash., in 1943 and found work at Puget Sound Naval Shipyard. When the war ended, the family moved to Seattle.


The upheaval and family turbulence shaped Jones. “If I had a good family,” he once joked, “I might have been a terrible musician.”


When he was 14, he befriended a teenager named Ray Charles. The friendship, which lasted a lifetime, opened a new world for Jones.


In Charles, Jones found an emerging prodigy, a musician who played a blend of blues, gospel and R&B he’d never heard. The two started playing together, and Charles — blind since he was 7 — urged Jones to pursue arranging and composing.


“I met Ray Charles at 14 and he was 16,” Jones recalled “But he was like a hundred years older than me.”


After high school, Jones attended Seattle University and earned a scholarship to what’s now the Berklee College of Music in Boston. In the early 1950s he joined Lionel Hampton’s big band as a trumpeter and arranger and later toured South America and the Middle East with Gillespie’s big band.


Jones’ visibility escalated and, barely into his mid-20s, he was soon arranging and recording for Sarah Vaughan, Dinah Washington, Count Basie, Duke Ellington and, of course, Charles.


In the late ’50s, Jones relocated to Paris, where he studied composition with the highly regarded teacher Nadia Boulanger and composer Olivier Messiaen. But a European tour leading his own big band in the early ‘60s ran into financial problems and came to an unceremonious end.


“We had the best jazz band on the planet,” Jones told Musician magazine, ”and yet we were literally starving. That’s when I discovered that there was music, and there was the music business.”


Another door opened when Mercury Records offered Jones a position as musical director of the company’s New York division. In 1964, he was promoted to vice president of Mercury Records, the first Black person to hold an executive position at a major U.S. record company.


Jones’ successes continued. In the mid-’60s, he produced four million-selling singles and 10 Top 40 hits for Lesley Gore, including “It’s My Party.” He also arranged Frank Sinatra’s iconic “Fly Me to the Moon.”


In 1964, he agreed to compose the music for director Sidney Lumet’s “The Pawnbroker.” It was the first of more than 30 films that Jones would score, a list that included “The Deadly Affair,” “In the Heat of the Night,” “Bob & Carol & Ted & Alice,” “They Call Me Mr. Tibbs!” and “The Getaway.”


While the jobs came quickly, the undertow of racism in the industry was always there, tugging at him.


When Jones was asked to write the soundtrack for “In Cold Blood,” he said Truman Capote, who wrote the bestselling book the film was based on, tried to block him from working on the film.


“He said, ‘I just don’t understand why you want a coloured man’s music in a film with no Negroes,’” Jones told the San Francisco Chronicle in a 2008 interview. “I knew it was going to be hard for a Black guy to break into movies.”


The musical score for “In Cold Blood,” though, earned him an Academy Award nomination in 1967, the first of seven.


Jones was equally productive for television, composing the theme music for “Sanford and Son,” “The Bill Cosby Show,” “Banacek” and “Ironside.”


His busy schedule also included the founding of his own company, Qwest Productions, and stints providing arrangements for Peggy Lee, Vaughan, Billy Eckstine and Ella Fitzgerald, Sinatra and his own bands.


Quincy Jones with Ella Fitzgerald and Barbra Streisand

After producing the soundtrack for the 1978 film “The Wiz” — which featured Diana Ross and Michael Jackson — Jones was approached by Jackson, who wondered if he would produce his next album.


Jackson’s record label initially stood in the way, worried that Jones was a jazz guy. Jackson pushed back, insisting he wanted to work with Jones.

“Everybody said, ‘You can’t make Michael any bigger than he was in the Jackson 5,’” Jones recalled. 


“I said, ‘We’ll see.’”


The album, “Off the Wall,” was a critical success, but the follow-up, “Thriller,” released in 1982, became the bestselling album of all time and earned eight Grammy Awards. Suddenly, Jackson’s career was kicked into the stratosphere, and Jones was regarded as the high priest of pop music.


Five years later, Jackson released “Bad,” the third and final collaboration between the two. It yielded five No. 1 hits.


Jackson, Jones said, was the hardest-working performer he’d ever seen. To fully harness the emotional might that Jackson seemed to possess, Jones said he transformed the recording studio into a concert stage by dimming the lights and urging Jackson to dance while he recorded, as if an entire audience were bearing witness. Decades later, Jones was awarded $9.4 million after a Los Angeles jury determined he’d been shortchanged millions in royalties by Jackson’s estate.


After the 1985 American Music Awards, Jones assembled a star-studded team of musicians, from Ross to Bruce Springsteen, to record “We Are the World.” The song became one of the bestselling singles of all time and raised nearly $70 million to assist victims of the famine in Ethiopia.


But the workload, the stress and the weight of a crumbling marriage had taken a toll, and Jones broke.


He postponed all ongoing projects, canceled his scheduled appearances and flew to Tahiti. Alone.


“I stayed for 31 days,” he told The Times in 1989. “It was the most heavy 31 days of my life. I went all the way down. I just wandered from island to island. I was really in trouble.”


As he put the pieces back together, Jones said he felt oddly renewed, as if he’d undergone a spiritual cleansing. “Sometimes you need God to just slap you and say, ‘Let’s take a look and see what’s going on here.’”


Back in L.A., he briskly resumed his career. He formed Quincy Jones Entertainment, a partnership with Time Warner, produced NBC’s “Fresh Prince of Bel-Air,” staged an inauguration concert for President Clinton and began recording “The Q Series,” an ambitious anthology of Black American music. He also formed Qwest Broadcasting, which then was the largest minority-owned broadcasting company in the U.S.


In 1996, he produced the 68th Academy Awards telecast. Three years later, U2 lead singer Bono, singer-songwriter Bob Geldof and Jones met with Pope John Paul II as part of an effort to erase the debt load shouldered by Third World nations. And in 2008, he was named an artistic advisor to the 2008 Summer Olympics in Beijing, a post some urged him to reject in protest over China’s dismal human rights record.


The awards and honors bestowed on Jones were nearly mind-bending. He was nominated for a Grammy 80 times, winning 28. He received eight Academy Award nominations. He was the first musician whom France honored as both Commandeur de l’Ordre des Arts et des Lettres and Commandeur de la LĂ©gion d’Honneur. He was inducted into the Rock & Roll Hall of Fame and he received Kennedy Center Honors.


Jones’ Quincy Jones Foundation distributed millions of dollars in Los Angeles and abroad to advance humanitarian causes and encourage arts education. 


Quincy Jones Elementary School in South L.A. was named in his honor. When he attended the ribbon-cutting in 2011, he said it brought back memories of when he first arrived in L.A


Late in life, Jones reflected on his mortality, telling The Times that he had deleted the names of 188 friends and associates from his iPhone in a single year. All dead.


“You start out playing in bands and doing duets,” he said. “And then you worry that in the end it’s all going to be a solo.”


Jones was married three times, the longest to actress Peggy Lipton. He is survived by seven children, including actor Rashida Jones.


Steve Marble is a former Times editor. Times staff writer Nardine Saad and former Times jazz critic Don Heckman contributed to this story (Heckman died in 2020).



First published at The Los Angeles Times, November 4, 2024 (US time).






Monty Python comedian Eric Idle brings 'Always Look on the Bright Side of Life, Live!' to Australia



By Hannah Story for The Stage Show

Nov 4 2024


On Twitter earlier this year, Idle said he was still working for a living: "I don't know why people always assume we're loaded.
Python is a disaster."
 (Getty Images: Dave J Hogan)


Eric Idle is proud that Always Look on the Bright Side of Life is one of the most popular funeral songs in England.

"I find that very, very moving actually," he tells ABC RN’s The Stage Show. "It's rather nice that people want to be cheered up a bit."


It was a song borne of need: Monty Python — the British comedy collective made up of Idle, Graham Chapman, John Cleese, Terry Gilliam, Terry Jones and Michael Palin — had no idea how to end their 1979 comedy, Life of Brian.


By the end of the movie, "very naughty boy" Brian, who has been mistaken for Jesus, is sentenced to death and strung up on the cross. It was Idle who suggested ending the movie with a song and raced home to write it.


"It should be like a cheery-uppy song, ridiculously optimistic … like a Disney song," Idle recalls to ABC RN Breakfast. "Maybe it should even have a whistle."


The song has since taken on a life of its own — and often pops up in unexpected places.


"I was watching a football match, and Liverpool supporters suddenly started to sing it to Manchester United fans when they were beating them. I thought, 'Isn't that lovely to be able to sit there in your home and somebody's singing your song on the terraces?'" Idle says.


It's also the name for the 81-year-old's latest tour, which travels across Australia this month.


Always Look on the Bright Side of Life, Live! features anecdotes, one fart joke, a new song about not recording his show and uploading it to YouTube, and even a virtual band.


"They're much cheaper than real musicians. I've got them on screen and they're behind me and I play along. I'm hoping to have a virtual symphony orchestra next time I come," he tells ABC TV’s 7.30.


Starting out with Monty Python


At Cambridge University, as part of theatre society the Pembroke Players and the Footlights sketch comedy troupe, Idle found not just comedy but community, including some of his future collaborators like Cleese and Chapman.


"I discovered my true quest," Idle says. "I was auditioned by two of the Goodies [Tim Brooke-Taylor and Bill Oddie] in my first term, and I was in a sketch which John Cleese had written, and he was at my first-ever performance in public.


"I spent all my time there [at Footlights]. It was very interesting because you learn by doing in comedy — you watch people, and you learn."


After university, Idle joined the cast of Do Not Adjust Your Set, a kids show that found an adult following and also featured future collaborators, Jones, Palin and Gilliam. The show soon led to the creation of Monty Python in 1969 and their sketch series Monty Python's Flying Circus.


Monty Python in 1969. Left to right: Terry Jones, Graham Chapman, John Cleese, Eric Idle, Terry Gilliam and Michael Palin. 
(Getty Images: Michael Ochs Archives)


The group found mentors in Dudley Moore and Peter Cook, the men behind 1960s sketch comedy show Not Only…But Also and Beyond the Fringe.

"They were the people who made me want to be a comedian," says Idle.


"They taught me you could make comedy out of anything: the army, the church, royalty — all forms of authority could be mocked."


Monty Python's Flying Circus, which aired on the BBC from late 1969 to 1974, was a mishmash of styles: of songs, slapstick, and satire, often taking aim at those very institutions. Idle puts their enormous creative freedom down to their 10:55pm Sunday timeslot.


"We would write and then we'd read it out to each other and if we made ourselves laugh, it was in the show," he says.


Michael Palin, John Cleese, Terry Jones, Terry Gilliam and Eric Idle in 2009, at the premiere of the documentary
Monty Python: Almost the Truth (Lawyer's Cut).
 (Reuters: Lucas Jackson )


"We were allowed to do daft things without anybody saying, 'Oh, come on' and interfering.

"[Executives] didn't really care … They thought, who was going to watch anyway?"


Laughing in the face of death


The sketch series soon led to several movies, including 1975's Monty Python and the Holy Grail. Little did Idle know he'd still be talking about the Holy Grail 50 years on.


In October, he released The Spamalot Diaries, a collection of journal entries written in the lead-up to the Broadway premiere of his musical Spamalot in 2005.


The musical, based on the Holy Grail and starring Tim Curry (The Rocky Horror Picture Show; Charlie's Angels), went on to win three Tonys from 14 nominations, including Best Musical.


Two years ago, when Idle was moving house, he found the diaries and discovered an interesting perspective inside.


"It's about putting a show together, [about] anxieties and people arguing and fighting and some people being fired. It's the making of a show," he says.


"It shows you how something successful, that obviously looks easy, is actually a lot of hard work and conflict."


In an early scene in Spamalot a man collecting the bodies of people who have died from the Black Plague tries to dispose of a man who declares, "I'm not dead!" His protestations, as he tries to prove he's still alive, lead into the toe-tapping musical number He Is Not Dead Yet.


Idle thinks the scene is funny because it's "literally laughing in the face of death".


"And it naturally led into a song," Idle says. "It does start the musical off rather nicely."


Audiences can expect Idle to sing about death — and about his late friends — in Always Look on the Bright Side of Life, Live!


These tributes include a song he wrote for Robin Williams's memorial, and one for Beatles guitarist George Harrison, who Idle met at a screening of the Holy Grail, and who even financed Life of Brian.


Idle describes Always Look on the Bright Side of Life, Live! as a one-man musical. (Getty Images: Frazer Harrison)

"The sad thing about getting older is you lose all these friends," says Idle.


He recalls something Harrison used to say: "It doesn't matter how famous you are or how much money you have, you're all going to have to die."


Idle continues: "A lot of my songs are actually about death … It is important to remember that we're not here forever. It's a very privileged thing to be alive in these bodies and have these experiences with other people on a strange planet."


Eric Idle: Always Look on the Bright Side of Life, Live! is at Llewellyn Hall, Canberra on November 2, before touring to Melbourne, Brisbane, Gold Coast, Newcastle, Sydney, Perth and Adelaide.


First published at ABC News, November 4, 2024